Producer Jen Rudolph explains the passion for Brad Fraser's play that has prompted her to produce it for a second time, this time at the Peter J. Sharp Theater at Playwrights' Horizons.
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Just like you need to ground yourself physically in your work, you must ground your wild mind before delivering a job-getting audition.
The series finale of "Smash" concludes with a bunch of loose ends tied up, and every living happily ever after.
The acting artistic director of Seattle Repertory Theatre tells Backstage readers what he looks for in the audition room—and it’s not a polished performance.