'Powder Her Face' Is Witty, Stylish, and Moving
New York City Opera’s “Powder Her Face,” a musically adventuresome, sexually explicit contemporary opera about a notorious British scandal, at BAM, both challenges and entertains.
'Powder Her Face' Is Witty, Stylish, and Moving
New York City Opera’s “Powder Her Face,” a musically adventuresome, sexually explicit contemporary opera about a notorious British scandal, at BAM, both challenges and entertains.
Don’t Miss ‘The Laramie Project Cycle’
Tectonic Theater Company’s “The Laramie Project Cycle,” at BAM, pairs the original 2000 docudrama with its 2009 sequel, “The Laramie Project: Ten Years Later,” to stunning effect.
'The Suit' Casts an Unintended Chill
A misogynistic premise makes “The Suit,” Peter Brook’s otherwise well-crafted adaptation of a South African short story, at BAM, into a discordant theatrical experience.
BAM Names New Director of BAMcinématek
The Brooklyn Academy of Music has promoted Gabriele Caroti to the new position of director of BAMcinématek.
'All That Fall' Reinvents Theatrical Performance
Samuel Beckett’s rarely performed radio play “All That Fall” becomes an overwhelming sensory experience in Pan Pan Theatre Company’s production for the BAM Next Wave Festival.
'Where (we) Live' Creates a Transporting Theatrical Soundscape
In “Where (we) Live,” at BAM, the performers of Sō Percussion meditate on the idea of home while inviting artisans from other disciplines to create in the space at each performance.
Innovative Icelandic ‘Faust: A Love Story’ Is One Hot Show
Iceland’s Vesturport Theatre combines dazzling acrobatics and dark humor in “Faust: A Love Story,” a striking adaptation of the classic legend, part of the BAM Next Wave Festival.
American Ballet Theatre's 'The Nutcracker' Contemporizes a Classic
American Ballet Theatre’s “The Nutcracker,” choreographed by Alexei Ratmansky, is an indisputably improved take on the familiar Christmastime treat, at Brooklyn Academy of Music.
Anne Bogart's 'Trojan Women (After Euripides)' Lacks Oomph
Director Anne Bogart and SITI Company fail to bring the necessary drive and energy to “Trojan Women (After Euripides),” at BAM, yielding a staid and artificial production.
'Roman Tragedies' Brings Shakespeare Into the 21st Century
“Roman Tragedies,” Ivo van Hove’s take on three of Shakespeare’s Roman plays, at BAM, is an epic, original, and disturbing reflection on heroism, empire, and the YouTube generation.