So you wanna be an editor, huh? Anyone can do it these days (or so they say). You’re only in charge of the story, the music, the rhythm, the pace, shaping the actors’ performances, and often re-writing the script. Cool with handling all of that?
His interest in the early ’90s indie film movement led him to enroll in a two-month course at the New York Film Academy.
I just resurfaced from directing and producing the feature length suspense thriller, “Tunnel Vision,” starring Cristos, Ion Overman, Scott Haze, Courtney Geigle, and Leslie Mills.
From the technical to the tactical, here are five tips to develop the best post-production strategy for your project and help you get your plan started before it’s too late.
Of all the performance options actors have available, student films are encumbered by more than their share of shortcomings. However, the benefits of working on these productions can be incredibly and vastly rewarding, so long as the performer has an idea of how to take advantage of the opportunity.