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'Soldier' Offers No New Insights on the Horrors of War

A dead Nazi soldier implicitly seeks the audience’s approval in “Soldier,” Jonathan Draxton’s well-acted, poorly staged exercise begun as a class assignment and now at Here.

Potent 'Obskene' Juxtaposes Possible Futures and Ancient Horrors

“Obskene,” the Talking Band’s amalgamation of grim messenger speeches from Greek tragedies and sensational stories from America’s near future, at Here, is impactful and profound.

Hip-Hop Romance 'How to Break' Has the Moves but Is Too Trite

In Aaron Jafferis’ hip-hop love story “How to Break,” at Here, moments of standout choreography help balance the often-syrupy dialogue but can’t rescue the moralistic script.