NY Review: '5 Lesbians Eating a Quiche'
Evan Linder and Andrew Hobgood's "5 Lesbians Eating a Quiche" is light and fluffy Fringe fare that finds a fresh voice with relevant issues.
NY Review: '5 Lesbians Eating a Quiche'
Evan Linder and Andrew Hobgood's "5 Lesbians Eating a Quiche" is light and fluffy Fringe fare that finds a fresh voice with relevant issues.
Handling the Highs and Lows of Your Career
Career Dispatcher Tim Intravia emerges from FringeNYC poised for nuptials.
"Independents," with a book by Marina Keegan, at the New York Fringe Festival, is a beautifully crafted musical about the doubts and fears of 20-somethings.
A nimbly funny Fringe mash-up from Her Majesty's Secret Players, "Pulp Shakespeare" imagines how the Bard might have written the film "Pulp Fiction."
Author-director-actor James Fluhr’s “Our Lady,” a Fringe show about countering homophobic bigotry, is as stunning a piece of performance art as you’re ever likely to encounter.
“Non-Equity: The Musical!,” at the Fringe, while more than a bit rough around the edges, is a fairly enjoyable 100 minutes, thanks to its breezy humor and gamely enthusiastic cast.
NY Review: 'Danny Visconti Is Hill-bent: My Night With Hillary Clinton'
"Danny Visconti Is Hill-bent: My Night With Hillary Clinton," a musical standup act in the Fringe Festival, is too self-consciously outrageous to succeed.
In the Fringe show “My Date With Troy Davis,” the engaging Daniel Glenn considers such philosophical concerns as comparative moralities and the worth of human life with flair.
Jessica Liadsky's "Canon in D Minor," a Fringe entry, overflows with emotion, with three actors playing one grieving heroine, but is nevertheless affecting.
Watching the Fringe drama “SleepOver,” it becomes clear that high school senior Max W. Friedlich is a talented writer, with a sharp ear for dialogue and a good eye for character.