NY Fringe Festival

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  • Review

    NY Review: '5 Lesbians Eating a Quiche'

    Evan Linder and Andrew Hobgood's "5 Lesbians Eating a Quiche" is light and fluffy Fringe fare that finds a fresh voice with relevant issues.

  • Advice

    Handling the Highs and Lows of Your Career

    Career Dispatcher Tim Intravia emerges from FringeNYC poised for nuptials.

  • Review

    NY Review: 'Independents'

    "Independents," with a book by Marina Keegan, at the New York Fringe Festival, is a beautifully crafted musical about the doubts and fears of 20-somethings.

  • Review

    NY Review: 'Pulp Shakespeare'

    A nimbly funny Fringe mash-up from Her Majesty's Secret Players, "Pulp Shakespeare" imagines how the Bard might have written the film "Pulp Fiction."

  • Review

    Our Lady

    Author-director-actor James Fluhr’s “Our Lady,” a Fringe show about countering homophobic bigotry, is as stunning a piece of performance art as you’re ever likely to encounter.

  • Review

    Non-Equity: The Musical!

    “Non-Equity: The Musical!,” at the Fringe, while more than a bit rough around the edges, is a fairly enjoyable 100 minutes, thanks to its breezy humor and gamely enthusiastic cast.

  • Review

    NY Review: 'Danny Visconti Is Hill-bent: My Night With Hillary Clinton'

    "Danny Visconti Is Hill-bent: My Night With Hillary Clinton," a musical standup act in the Fringe Festival, is too self-consciously outrageous to succeed.

  • Review

    My Date With Troy Davis

    In the Fringe show “My Date With Troy Davis,” the engaging Daniel Glenn considers such philosophical concerns as comparative moralities and the worth of human life with flair.

  • Review

    NY Review: 'Canon in D Minor'

    Jessica Liadsky's "Canon in D Minor," a Fringe entry, overflows with emotion, with three actors playing one grieving heroine, but is nevertheless affecting.

  • Review

    SleepOver

    Watching the Fringe drama “SleepOver,” it becomes clear that high school senior Max W. Friedlich is a talented writer, with a sharp ear for dialogue and a good eye for character.