Minimalist 'Hamlet' Provides Maximum Effect
With this high-energy, minimalist, four-actor edition of William Shakespeare’s “Hamlet,” the theater ensemble Bedlam renders a passionate but richly textured Denmark for the ages.
Minimalist 'Hamlet' Provides Maximum Effect
With this high-energy, minimalist, four-actor edition of William Shakespeare’s “Hamlet,” the theater ensemble Bedlam renders a passionate but richly textured Denmark for the ages.
'Much Ado' Star Jonathan Cake on Shakespeare and Why Comedy Is Scary
Cake is winning again with his critically-lauded portrayal of Benedick in the Bard's famous battle of wits "Much Ado About Nothing" at Theatre For a New Audience.
Inventive ‘Macbeth’ Provides New Perspectives on Shakespeare’s Tragedy
A stunningly versatile Alan Cumming leads us into dark corridors of the human mind in this near-solo staging of Shakespeare’s “Macbeth, from the National Theatre of Scotland.
Uneven 'Much Ado About Nothing' Still Delights
Jonathan Cake’s Benedick emerges victorious in the amorous skirmishes of Theatre for a New Audience’s handsome but unbalanced rendering of Shakespeare‘s “Much Ado About Nothing.”
'Women of Will' Offers a Female Perspective on Shakespeare
“Women of Will,” at the Gym at Judson, playwright-actor Tina Packer’s enlightening and delightful survey of Shakespeare’s female characters, could nevertheless stand less lecturing.
'Henry IV, Part 1' Best for First Timers
The Pearl’s perfectly serviceable production of Shakespeare’s “Henry IV, Part 1” is slightly outshone by its sets and costumes and the company’s gleaming new permanent home.
'As You Like It' Joyfully Celebrates the Art of Theater
“Accessible” has become a dirty word where Shakespeare is concerned, but the Acting Company’s production of “As You Like It,” at the New Victory, exuberantly livens up the Bard.
A 'King Lear' Played Too Much for Laughs
Stephen Mo Hanan, an actor deservedly celebrated for his comic work in musicals, stumbles taking on the title role in American Bard Theater Company’s only serviceable “King Lear.”
'I, Malvolio' Mixes Cool Sophistication and Youthful Warmth
Tim Crouch’s “I, Malvolio,” a shrewdly clever portrait for young people of Shakespeare’s “Twelfth Night” from a minor character’s point of view, has a split personality.
Simon Russell Beale Is Electric in 'Timon of Athens'
Director Nicholas Hytner and star Simon Russell Beale make Shakespeare’s “Timon of Athens” a contemporary cautionary tale of ruthless capitalism in this dazzling NT Live broadcast.