acting teachers

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  • Advice

    Why You Need To Focus on the Craft and Not the Outcome

    We are sometimes so busy counting every victory or defeat that we lose sight of what actually gets us there. We tend to trap ourselves in an emotional mindset that is focused only on success and outcome.

  • Advice

    Find The Moment Before 'Zero'

    When you rehearse a scene over and over again, it’s easy to get stuck in the emotional place at the end of the scene instead of rewinding to where you were at the beginning.

  • Advice

    Why Letting Go Of Negative Thoughts Could Land You An Agent

    We often find living our creative lives (and the accomplishing of our goals) to be a haphazard experience. This is partly due to our mind’s many thoughts telling us we can’t have what we truly desire.

  • News

    Where to Learn On-Camera Technique in L.A.

    With these courses in L.A., even the most camera-shy person will understand how to use the lens to his or her advantage.

  • Advice

    How To Gain Acting Success Like Edie Falco

    The pace to a self-sustaining acting career varies. More often than not, the journey for actors being able to “do what they love” and nothing else without financial worry is a curving pot-holed course of great distance traveled until smooth straightway is rode.

  • Advice

    You Need to Love Yourself as an Actor

    If you don’t love yourself, how can you possibly love another and radiate that love to your work and creativity? How will you birth new ideas and bring something tangible and worthwhile into the world?

  • Advice

    3 Ways to Make Your Acting Dangerous

    It’s your job to figure out where the danger in the scene is and to consistently ask yourself where and how you can add a more genuine element of danger.

  • Advice

    How To Maintain Perspective in Your Acting Career

    When we don’t keep things in perspective and only on what isn’t working, we become defeated by rejections and challenges and lose perspective. Contextually, we’ve probably made great progress in order to get to where we now stand.

  • Advice

    Don't Act From the Neck Up

    Unless an actor is paralyzed from the neck down, there is absolutely no reason to act from the neck up. As actors, we’re seeking to create real people and surely those real people should live in their entire bodies as we do.

  • Advice

    How To Access Your Inner Director

    Our inner critic rears its ugly head at the most inopportune moments—auditions, opening nights, first days on set—and reflects our own self-doubt and fear. It’s that little voice that says, “That was terrible. You’re not good enough. You’re a failure.”