The Craft

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  • Advice

    Give Thanks and Generosity to Actors

    Simple acts of generosity toward other actors, at auditions or in a scene, can make a big difference.

  • Advice

    Avoiding a Common ‘Actor Trap'

    Acting teacher Anthony Vincent Bova advises that actors can't shut down uncomfortable emotions if they want to convey them onstage.

  • Advice

    Playing Lawyers

    While acting skills and legal skills are not completely interchangeable, there is nevertheless plenty that actors can learn from watching real lawyers in action.

  • Advice

    The ABCs of Auditioning

    Auditions: Hate 'em; apparently can't have a career without 'em. They can put a man on the moon, but they can't figure out a more benign way to cast an actor, right?

  • Advice

    Look to Express in an Audition, Not Impress

    Kimberly Vaughn, of Kimberly Vaughn Performance Studio, urges actors to head into an audition looking to express emotion, rather than impress the table.

  • Advice

    The Character of You

    Teacher Matt Hoverman shares his three keys to successful autobiographical solo shows.

  • Advice

    Write Without Yourself in Mind

    Eileen Rivera, a New York-based writer and producer, found writing becomes much more effective if she didn't write herself into her plays.

  • Advice

    The Root of Good Acting (Pt. 4)

    The first common mistake that will lead you down a very bad path is judging the character.  To me, the root of all prejudice stems from our inability to see ourselves in other people.

  • Advice

    Are You Director-Proof?

    Most directors struggle to speak the actor’s language. While some take an interest in the craft—even signing up for the occasional acting class—others have no idea what we do.

  • Advice

    Why Actors Should Leave Criticism to the Critics

    If you’re criticizing the local 99-seat production of “Spring Awakening” because it wasn’t as good as the one you saw Off-Broadway, you need to check your expectations.