The Joffrey Ballet School, Tom Todoroff Acting Conservatory, Institute of Bollywood Dance & Film, and USA Presenters are working together to keep DNA’s doors open.
Aleksandar Antonijevic talks about experimenting with "Alice's Adventures in Wonderland" as well as how he’s sustained his career in ballet and started expanding into other artistic ventures.
Miranda July’s latest performance art, Dance New Amsterdam’s “DNA Day,” Barbara Cook at Carnegie Hall, a history of female comedians, and “Alice’s Adventures in Wonderland” are what we’re looking forward to this week.
American Ballet Theatre’s fall season celebrates70 years of Agnes de Mille’s “Rodeo” and offers outstanding renditions of works by Mark Morris, James Kudelka, and George Balanchine.
Skidmore, Mason Gross, Juilliard, Oberlin, and U.C. Berkeley offer worthwhile programs for aspiring dancers.
When it comes to flamenco dance, Soledad Barrio is the best in the business, and this performance by her company, Noche Flamenca, features world-class dancers, singers, and guitarists.
New York City Ballet opens its fall season with a Balanchine-Stravinsky program featuring the rarely seen “Orpheus,” a dynamic interpretation of “Apollo,” and a flawed performance of “Agon.”
The New York City Center has been honored with six awards for design excellence and historical preservation, City Center announced on Thursday.
“Discovering Fiscally Sponsored Dancemakers,” a new study published Sept. 7 by Dance/NYC, examines the growing benefits of fiscal sponsorship for non-profit dance companies.
Though the enthralling “Dido and Aeneas” features ingenious choreography by Mark Morris, the music, especially Stephanie Blythe’s singing, is the star in this Mostly Mozart entry.