These rich and rewarding new concert works by Seán Curran, at the Joyce Theater, exhibit admirable if dense interplay of movement, music, lighting, text, and colossal ideas.
Though the enthralling “Dido and Aeneas” features ingenious choreography by Mark Morris, the music, especially Stephanie Blythe’s singing, is the star in this Mostly Mozart entry.
"Pippin” and “Motown” split the top prizes at the 30th Annual Fred and Adele Astaire Awards, presented at the Skirball Center for the Performing Arts at New York University on Monday night.
Aleksandar Antonijevic talks about experimenting with "Alice's Adventures in Wonderland" as well as how he’s sustained his career in ballet and started expanding into other artistic ventures.
The New York Jets are holding auditions for dancers for the Jets Flight Crew cheerleading squad for the 2012 football season.
The acclaimed dance center will still hold classes in its downtown home, despite economic woes.
Who would have thought that dancing the Hustle three decades ago would lead to a gig in 2009? But thanks to that experience and a Back Stage casting notice, Bob Leonard attended his first-ever audition and is now a member of the Timeless Torches, a dance team for the WNBA ...
Miranda July’s latest performance art, Dance New Amsterdam’s “DNA Day,” Barbara Cook at Carnegie Hall, a history of female comedians, and “Alice’s Adventures in Wonderland” are what we’re looking forward to this week.
Bursting with visual originality, passion, and mystery, Kidd Pivott’s “The Tempest Replica,” a choreographic retelling of Shakespeare’s play, at the Joyce Theater, is mesmerizing.
Susan H. Schulman has been elected to replace Karen Azenberg as president of the Stage Directors and Choreographers Society (SDC), the national labor union representing some 2,600 professional stage directors and choreographers.