film

‘6 Souls’ Is Creepy Fun Until Exposition Overwhelms the Scares

This horror film starring Julianne Moore and Jonathan Rhys Meyers starts off smart and scary before deteriorating into just another slice of schlock.

A Film Fest Amid the Bayous of Louisiana

The Louisiana International Film Festival and Mentorship Program announced its lineup for its inaugural four-day event, which kicks off April 18 in Baton Rouge and New Orleans.

Streisand to Be Honored by Lincoln Center

The Film Society of Lincoln Center will honor Streisand with the Chaplin Award at their April 22 gala.

5 Tips From Director PJ Hogan On Not Going 'Mental' Making a Film

Writer/director PJ Hogan talks about finding and working with actors for his new film "Mental."

The Enigmatic, Resonant Terrors of ‘Upstream Color’

Shane Carruth, the filmmaker behind the enigmatic puzzler “Primer,” returns with a sophomore effort starring Carruth and Amy Seimetz that is more emotional and even more accomplished.

Get Drunk for Short Film

Ned Ehrbar, creator of the My Damn Channel series "Co-op of the Damned" is throwing a fundraising bash Saturday, March 30, in the Echo Park neighborhood of Los Angeles to raise money for his new post-apocalyptic romantic comedy short-film project "Bunker."

Eva Mendes Breaks Out of the Bombshell Box

A rollicking sit-down conversation with the star of Derek Cianfrance’s “The Place Beyond the Pines,” who proves that despite her gritty performance, she just wants to have fun.

‘The Place Beyond the Pines’ Proves to Be Filled With Deadwood

Torturous father-son relationships involving Ryan Gosling and Bradley Cooper drag on for two-and-a-half hours of overly emphatic filmmaking and forced storytelling.

Delicate Acting, Drifting Lives in ‘Renoir’

A transcendent glimpse at how aging Impressionist painter Pierre-Auguste Renoir passed his creative muse to his filmmaker son Jean Renoir presents masterly examples of character-based acting.

‘Mental’ Provides a Healthy Dose of Charming Weirdness

P.J. Hogan’s raunchy comedy is as much a welcome reminder of Toni Collette’s talent as it is a call to arms for weirdoes.