LA Theater Review

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  • Reviews

    The Taming of the Shrew

    Shakespeare's classic comedy didn't need to be set in the postwar Italy of 1948 to showcase its biggest laughs. But in doing so, director Carl Reggiardo is able to ratchet up the slapstick in this under-the-stars staging.

  • Reviews

    Still Photos

    Elements of this memory play are well-conceived and well-staged. The intertwining of past and present is structured seamlessly, as a grandmother relives her doomed love affair with another woman.

  • Reviews

    Freezing Antarctica

    "Standing on your head, anything is possible-in freezing Antarctica." Bill Sterritt frequently uses this refrain in his quirky play, which he also directs.

  • Reviews

    Henry IV, Part I

    The balance of the production is uneven. When Hal and Falstaff are off stage, much of the energy drops.

  • Reviews

    Garden of Reason

    Press materials for the new version ofGarden of Reasonsay it's Pink Floyd's "The Wall" meets Cirque du Soleil.

  • Reviews

    How I Ruined Everything

    Presented by and at Eclectic Company Theatre, 5312 Laurel Canyon Blvd., North Hollywood. Fri.-Sat. 8 p.m. Jan. 13-Feb. 18. (818) 508-3003.

  • Reviews

    The Awakening

    ¿We need a new attitude,¿ says Joshua (Derek Shaun), a young, black college grad who returns to his roots, his tough hood, to set up business and try to make a difference. This is in contrast to his best friend, John (Damon Christopher), a young black dentist who moves out ...

  • Reviews

    Feed

    Structurally speaking, what is more inherently dramatic than an old-fashioned courtroom drama? And if you've got a clever playwright who can give audiences the old rhetorical one-two punch, all the better.

  • Reviews

    Twist

    The young heroes and heroines of Charles Dickens' novels are invariably subjected to terrible trials and tribulations, but until now nobody ever suggested that the characters enjoyed it.

  • Reviews

    Bush Is Bad: Alaska Beauty Queen Edition

    Fair and balanced? Definitely not. Composer and lyricist Joshua Rosenblum puts W. squarely in his sights and unleashes a withering blast of satire in this musical revue.