LA Theater Review

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  • Reviews

    Los Muertos

    Presented by David Fofi and Don Cesario at the Elephant Theatre, 6322 Santa Monica Blvd., Hollywood. Thu.-Sat. 8 p.m., Sun. 7 p.m. Oct. 28-Dec. 4. (323) 960-7822.

  • Reviews

    How Cissy Grew

    Playwright Susan Johnston examines a complicated type of loss — one that impacts everyone involved like a rock tossed into a pond, rippling across the years.

  • Reviews

    No Man's Land

    Working-class Brits turned poets in Harold Pinter's 1950s plays give way to characters lost in a world of affluent privilege in this 1974 play.

  • Reviews

    Deskapades

    All nine of the desk-themed 10-minute plays in this production are, without exception, unworthy of being formally presented to the public.

  • Reviews

    Paradise Lost: Shadows and Wings

    Boston Court thrives on taking big artistic risks, and this unconventional world-premiere musical is certainly bold. The highly imaginative piece melds a tragicomic fable reminiscent of classic Greek mythology with contemporary vibes.

  • Reviews

    Old Times

    Presented by Foggy Day Productions at the El Portal Forum Theatre, 5269 Lankershim Blvd., North Hollywood. Thu.-Sat. 8 p.m., Sun. 3 p.m. Oct. 14-Nov. 20. (800) 880-2588.

  • Reviews

    Blue/Orange

    Whether sanity is in the eye or the mind of the beholder is the question driving Joe Penhall¿s 2000 drama, which also seemingly takes a leaf from John Guare¿sSix Degrees of Separation.

  • Reviews

    Is This Any Way to Start a Marriage?

    Marriageis a stupefying blend of stale sitcom and banal drama, periodically interrupted by poorly integrated songs.

  • Reviews

    Careless Love

    To call Len Jenkin's comedy surreal is not only to understate the point but also to, in a way, excuse flights of fancy on the part of the playwright as part of a grander scheme rather than chalk it up to something as prosaic as carelessness, laziness, inattention to ...

  • Reviews

    Never Gonna Dance

    Recapturing the essence of a Fred Astaire-Ginger Rogers film classic leaves formidable tap shoes to fill.