LA Theater Review

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  • Reviews

    Tomahawk

    One can't help but wonder if a healthy dosage of preshow hallucinogens might showcase this jawdroppingly awful three hours of theatrical drivel in a more palatable light.

  • Reviews

    Alice Sit-By-The Fire

    The show's scenic design beautifully fulfills the humor and period sensitivity of this piece, along with careful costuming, lighting, and sound design.

  • Reviews

    Little Footsteps

    The seriocomic 1986 play by Ted Tally takes a look at a couple who faces impending parenthood. Director Gregory Cohen and company well establish the tension brewing in this marriage.

  • Reviews

    Harm's Way

    It's a grim, eloquent, tautly written play, skillfully directed by Steve Zuckerman on a bleak, all-gray set. Stehlin richly captures the grief and gravitas of a career officer who must face the fact that his personal hell has become enmeshed with the hell of war.

  • Reviews

    Black Watch

    The play is in itself a contradiction in terms: It's an anti-war -- or at any rate anti-Iraq War -- play, but it's rooted in love for the military and regimental pride, lifting it out of cliché and anchoring it in ambiguity.

  • Reviews

    Otello

    The performers here are quite operatic in voice, some more marvelously than others. But modern audiences increasingly expect a little acting with their opera.

  • Reviews

    Rose's Dilemma

    Neil Simon has created a sadly flat excursion into the lives and afterlives of fairly unexceptional people in this 2003 play.

  • Reviews

    The Julio Brothers

    In Gino Aquino and Lance Petersen's one-act play, theJulio Brothersare a trio of Rochester, N.Y., siblings who flunk out of a thriving career as drug dealers and decide to give the legit world a try.

  • Reviews

    Mercury Fur

    The U.S. premiere of British playwright Philip Ridley's 2005 shocker unfolds like a muted nightmare set in a vaguely defined near-future time when lawlessness is the order of the day. Two

  • Reviews

    Xanadu

    Oh, the jukebox trove some people will raid in the interests of creating drama. Not just any jukebox, mind you, but the cornier cannon of the Electric Light Orchestra. "Magic," anyone? "Evil Woman"?