LA Theater Review

Sort by:

  • Reviews

    Omnium Gatherum

    This eloquent, funny, provocative riff on 9/11 and its aftermath, by Theresa Rebeck and Alexandra Gersten-Vassilaros, gets a bang-up production by directors Ellen Geer and Rob Walker and the terrific Theatricum ensemble.

  • Reviews

    Second Thoughts

    "Second Thoughts," presented by the city of West Hollywood and Bare Bones Theatre at the Great Hall, Plummer Park, 7377 Santa Monica Blvd., West Hollywood. Fri.-Sat. 7 p.m., Sun. 3 p.m. Oct. 22-Nov. 13. $15-20. (323) 461-5570.

  • Reviews

    Getting Out

    Marcia Norman's schizophrenic play cannily posits that splitting a personality is as simple as splitting an infinitive.

  • Reviews

    Battle Hymn

    In Jim Leonard's bracingly literate new play, Martha embarks on a 150-year odyssey, carrying her unborn child across treacherous battlefields -- literal and figurative.

  • Reviews

    Bush Is Bad: Alaska Beauty Queen Edition

    Fair and balanced? Definitely not. Composer and lyricist Joshua Rosenblum puts W. squarely in his sights and unleashes a withering blast of satire in this musical revue.

  • Reviews

    Henry V

    Rarely have Shakespeare's other historical dramas reached the grandeur of this one, the Bard's portrayal of "good King Harry," the Lancastrian monarch who won the Battle of Agincourt.

  • Reviews

    Third

    The late Wasserstein left a legacy of intelligent plays. In this one, her final work, she fashioned a piece that's absorbing -- funny, poignant, and cerebral -- but regrettably bogged down by dramaturgic contrivances that compromise its impact

  • Reviews

    The Playground

    Few musicals in recent years have been more frustrating than this one. The subject matter-homeless youth-is compelling.

  • Reviews

    Jackson Frost

    All of the performances were so exquisitely alive, the arts of listening and unselfconscious participation so in full use, that this had to be one of those heightened evenings that result from offstage exigencies.

  • Reviews

    The Taming of the Shrew

    Shakespeare's classic comedy didn't need to be set in the postwar Italy of 1948 to showcase its biggest laughs. But in doing so, director Carl Reggiardo is able to ratchet up the slapstick in this under-the-stars staging.