LA Theater Review

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  • Reviews

    Harm's Way

    It's a grim, eloquent, tautly written play, skillfully directed by Steve Zuckerman on a bleak, all-gray set. Stehlin richly captures the grief and gravitas of a career officer who must face the fact that his personal hell has become enmeshed with the hell of war.

  • Reviews

    Open Window

    "Open Window," presented by Deaf West Theatre in association with and at Pasadena Playhouse, 39 S. El Molino Ave., Pasadena. Tue.-Fri. 8 p.m., Sat. 5 & 9 p.m., Sun. 2 & 7 p.m. (Also Wed. 10:30 a.m. Nov. 2; 2 p.m. Nov. 9.) Oct. 21-Nov. 20. $37-53. (626) 356-7529.

  • Reviews

    Hello and Goodbye

    Fugard's play about more domestic concerns.

  • Reviews

    She Always Told Me

    Actor-playwright Annie Mebane has written 12 vignettes for herself and three performers on the wide-ranging subject of "the societal role of women in American culture."

  • Reviews

    1985

    Presented by David Fofi and Don Cesario at the Elephant Theatre, 6322 Santa Monica Blvd., Hollywood. Thu.-Sat. 8 p.m., Sun. 7 p.m. Oct. 28-Dec. 4. (323) 960-7822.

  • Reviews

    Careless Love

    To call Len Jenkin's comedy surreal is not only to understate the point but also to, in a way, excuse flights of fancy on the part of the playwright as part of a grander scheme rather than chalk it up to something as prosaic as carelessness, laziness, inattention to ...

  • Reviews

    Gulliver's Travels

    This 'Gulliver's Travels' is firing on all cylinders. Josh Zeller's sharp adaptation, the creative multimedia effects, and the fun costumes; P. Adam Walsh's snappy direction; and a remarkably versatile cast, headed by Keythe Farley, are ideal.

  • Reviews

    The Immigrant

    This handsome and enjoyable production packs an emotional punch.

  • Reviews

    The Underpants

    Comedy is sticky-wicket business. It gets even trickier when 100 years pass and translation is involved.

  • Reviews

    No Man's Land

    Working-class Brits turned poets in Harold Pinter's 1950s plays give way to characters lost in a world of affluent privilege in this 1974 play.