LA Theater Review

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  • Reviews

    Careless Love

    To call Len Jenkin's comedy surreal is not only to understate the point but also to, in a way, excuse flights of fancy on the part of the playwright as part of a grander scheme rather than chalk it up to something as prosaic as carelessness, laziness, inattention to ...

  • Reviews

    Hello and Goodbye

    Fugard's play about more domestic concerns.

  • Reviews

    She Always Told Me

    Actor-playwright Annie Mebane has written 12 vignettes for herself and three performers on the wide-ranging subject of "the societal role of women in American culture."

  • Reviews

    Dames at Sea

    This 1968 Off-Broadway relic has remained a durable confection due to its sweetness of spirit in affectionately serving up a pastiche rather than spoofing, channeling the quaint but charming conventions of 1930s tuners.

  • Reviews

    My Fair Lady

    O'Hare gives a performance appropriate to a stage the size of the Ahmanson's and to a 30-seat house, detailed and subtle yet visible to all.

  • Reviews

    The Julio Brothers

    In Gino Aquino and Lance Petersen's one-act play, theJulio Brothersare a trio of Rochester, N.Y., siblings who flunk out of a thriving career as drug dealers and decide to give the legit world a try.

  • Reviews

    Black Watch

    The play is in itself a contradiction in terms: It's an anti-war -- or at any rate anti-Iraq War -- play, but it's rooted in love for the military and regimental pride, lifting it out of cliché and anchoring it in ambiguity.

  • Reviews

    Otello

    The performers here are quite operatic in voice, some more marvelously than others. But modern audiences increasingly expect a little acting with their opera.

  • Reviews

    Texmas

    I knew that wrapped in this package were some of the better comic actors in town, so it was a treasure I approached with keen anticipation.