New York Theater

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  • Reviews

    Karen Mason

    Mason has a voice roughly the cabaret equivalent of a 9030T series John Deere tractor. When she lets it go, the only thing for a patron to do is get out of its way.

  • Reviews

    Mixed Tape 2007

    The concept forMixed Tape 2007is interesting. One playwright writes a short play, then a second scribe takes one character from this scene and writes her own short play.

  • Reviews

    Black Watch

    Movement, music, journalism, and drama combine for a unique theatrical experience in the National Theatre of Scotland's production ofBlack Watch.

  • Reviews

    Henry V

    Watching the magnetic energy and smart staging brought to this rendering of Shakespeare's buoyant history is like being courtside at a great basketball game—and there's great language to boot.

  • Reviews

    Knickerbocker

    A play consisting of nothing but two-person conversations in the same restaurant booth could be static, but this is a moving and funny rumination on fatherhood.

  • Reviews

    The Bully Pulpit

    A first-rate monodrama, elegantly written and piquantly performed by Michael O. Smith,The Bully Pulpitpresents a splendid theatrical portrait of Theodore Roosevelt.

  • Reviews

    Bye, Bye Big Guy

    Musical comedy construction can't get more ramshackle thanBye, Bye Big Guy, which uses a memorial service for Rumpelstiltskin as a jumping-off point to spoof all things showbiz.

  • Reviews

    3 Sisters

    In addition to a daunting three-hour running time in a teeny-tiny theatre, the pace of this particular production lapses with annoying frequency.

  • Reviews

    The Fall and Rise of the Rising Fallen

    Spinal Tap wasn't a real band, but it was made up of people playing music, thus, uh, making it a band.

  • Reviews

    Roberta (In Concert)

    Jerome Kern's melodious 1933 ode to Paris fashion might seem an odd choice for the modest means of producer Mel Miller's enterprising company.