New York Theater

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  • Reviews

    Bye, Bye Big Guy

    Musical comedy construction can't get more ramshackle thanBye, Bye Big Guy, which uses a memorial service for Rumpelstiltskin as a jumping-off point to spoof all things showbiz.

  • Reviews

    The Orestia

    In David Johnston's freewheeling adaptation, the playwright has condensed the famed Greek tragedy of supreme familial dysfunction into a mere two hours.

  • Reviews

    Candida

    Michael Halberstam has given George Bernard Shaw's early comedy a very polished revival that is elegant and amusing.

  • Reviews

    My First Time

    As cyber technology seeps deeper into our existence, theatre, like every other aspect of daily life, is gradually becoming more fragmentary, like the bytes and bits that make up our superfast, limited-attention-span world.

  • Reviews

    The Fall and Rise of the Rising Fallen

    Spinal Tap wasn't a real band, but it was made up of people playing music, thus, uh, making it a band.

  • Reviews

    Roberta (In Concert)

    Jerome Kern's melodious 1933 ode to Paris fashion might seem an odd choice for the modest means of producer Mel Miller's enterprising company.

  • Reviews

    Capture Now

    Josh Jonas is a suitable storyteller, but his writing inCapture Now, his one-man show about brotherly bonds, could use some serious work.

  • Reviews

    The Bully Pulpit

    A first-rate monodrama, elegantly written and piquantly performed by Michael O. Smith,The Bully Pulpitpresents a splendid theatrical portrait of Theodore Roosevelt.

  • Reviews

    Moonlight

    The genius of Harold Pinter is his ability to take commonplace situations and ordinary people, then warp their world with a hyper-realistic, often illogical theatricality.