New York Theater

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  • Reviews

    The Beátitudes

    Melanie Cortier's bland balletic choreography of "The Beátitudes," a 35-minute dance play about the Beat movement, bears no resemblance whatsoever to Beat sensibilities.

  • Reviews

    Open Heart

    For the most part, Joe Salvatore's "verbatim interview play" about open relationships among gay men is engrossing and illuminating.

  • Reviews

    The Agony and the Ecstasy of Steve Jobs

    Mike Daisey's accidental eulogy for the late Apple CEO fuses personal narrative and journalistic storytelling to create a captivating and relevant evening of theater.

  • Reviews

    The Temperamentals

    Gay artists are reclaiming their history. Like "Milk," Jon Marans has done something similar for Harry Hay in his bright and affecting new play, "The Temperamentals."

  • Reviews

    Pound

    Ezra Pound, the influential American poet accused of treason during World War II but never tried, finally gets his chance for a jury verdict in "Pound," written and directed by William Roetzheim.

  • Reviews

    Darling

    The most memorable moments in "Darling," the new dance-theatre piece by choreographer Sam Kim, are the many entrances and exits of its four dancers.

  • Reviews

    Henry V

    Watching the magnetic energy and smart staging brought to this rendering of Shakespeare's buoyant history is like being courtside at a great basketball game—and there's great language to boot.

  • Reviews

    The Boxer

    Unless you need further proof that silence usually isn't golden in live theater, better to rerun a favorite silent movie whose artistry transcends its mechanics.

  • Reviews

    Greendale, G.P.

    This day-in-the-life drama about doctors in small-town Ohio isn't compelling enough but does offer some good performances and observant writing.