New York Theater

Sort by:

  • Reviews

    The Bully Pulpit

    A first-rate monodrama, elegantly written and piquantly performed by Michael O. Smith,The Bully Pulpitpresents a splendid theatrical portrait of Theodore Roosevelt.

  • Reviews

    Garrison Keillor: Man in Tux & Red Shoes with Piano

    When Garrison Keillor picked up the cordless microphone to begin his first Feinstein's at Loews Regency number, the fool contraption was off. He tried the mike on a second mike stand. Nothing.

  • Reviews

    The Scene

    Plays are like road trips. Sometimes they start full of optimism, and the ride is smooth and uneventful. Sometimes they start full of optimism and then the brakes fail.

  • Reviews

    Avenue X

    This production, set in the doo-wop world of Gravesend, Brooklyn, in 1963, is technically superb and, ironically, ultimately soulless.

  • Reviews

    2.5 Minute Ride

    A main tenet, if not the central one, of autobiographical solo performance is the performer's direct connection to the material.

  • Reviews

    Webeime

    As a whole, the actors are outstanding, effectively transitioning from sweet to frightening at a moment's notice.

  • Reviews

    Traces/Fades

    Lenora Champagne cramsTraces/fadeswith enough material to fill two or three plays.

  • Reviews

    Aldridge & Lena

    We can't get a whole life story told in 45 minutes, but, asAldridgeproves, you can achieve its essence.

  • Reviews

    All That Fall

    It's Samuel Beckett's 100th birthday this year and, for all Sam's fans, here's an opportunity to view a rarely produced work.

  • Reviews

    The Agony and the Ecstasy of Steve Jobs

    Mike Daisey's accidental eulogy for the late Apple CEO fuses personal narrative and journalistic storytelling to create a captivating and relevant evening of theater.