I like to think of a play as a blueprint for a house. All of the people involved in the production help build the house. In the context of a new play, the actors are the heavy lifters—they are the ones laying the foundation, brick by brick, of the ...
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"With Peter Parker [in "Spider-Man"], it's interesting because he's sort of the anti-superhero. He's the nerd who becomes powerful against his will."
Once I began directing, I became more fully cognizant that what is truly engaging is the energy that exists between actors, or between an actor and the audience or the camera.