Two years ago, I did a Shakespeare play, "Pericles," for a small Shakespeare company in Seattle, with a director named Sheila Daniels. I played Thaisa, which is not a huge part, but from start to finish the production was one of the most collaborative.
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I like to think of a play as a blueprint for a house. All of the people involved in the production help build the house. In the context of a new play, the actors are the heavy lifters—they are the ones laying the foundation, brick by brick, of the ...
Once I began directing, I became more fully cognizant that what is truly engaging is the energy that exists between actors, or between an actor and the audience or the camera.