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  • Reviews

    Helen

    Presented by and at The Joseph Papp Public Theater/New York Shakespeare Festival, Martinson Hall, 425 Lafayette St., NYC, April 8-21.

  • Reviews

    Tape

    Presented by Naked Angels at the Jose Quintero Theatre, 534 W. 42 St., NYC, Jan. 17-Feb. 2.

  • Reviews

    Moscow

    Presented as part of the LITE Company's Fourth Annual Chekhov NOW Festival at The Connelly Theater, 220 E. Fourth St., NYC, Nov. 4-22.

  • Reviews

    STRANGE BELIEFS

    The latest work of theatre makers Tina Kronis and Richard Alger pulls together a text collage inspired by the life and works of August Strindberg for its "non-linear, non-narrative physical comedy of the absurd." Because movement is the primary language of the piece, an encyclopedic knowledge of the Swedish playwright ...

  • Reviews

    40 Days

    at the Lillian Theatre

  • Reviews

    Sarah, Sarah

    Daniel Goldfarb has a fine first draft in his new play "Sarah, Sarah" at Manhattan Theatre Club's Stage II. The theme is strong, but the characters and plotline are underdeveloped. Many secrets are brought out in this multigenerational comedy-drama of class and family conflict, but many more are kept ...

  • Reviews

    The Persians

    Presented by the National Actors Theatre, casting by Jack Doulin, at the Michael Schimmel Center for the Arts at Pace University, 3 Spruce St. (between Gold St. and Park Row), NYC, June 10-29.

  • Reviews

    Bye, Bye Big Guy

    Musical comedy construction can't get more ramshackle thanBye, Bye Big Guy, which uses a memorial service for Rumpelstiltskin as a jumping-off point to spoof all things showbiz.

  • Reviews

    CRITIC'S PICKS

    SOUTHERN CALIFORNIA - Acme Downey Jr., presented by the Acme Players at the Acme Comedy Theatre, 135 N. La Brea Ave., Hollywood. Sat. 8 p.m. Indefinitely.

  • Reviews

    DANCING AT LUGHNASA

    After seeing actors from the Abbey Theatre perform Brian Friel's eloquently written and constructed play in London nine years ago, I went apprehensively to this Knightsbridge production. I did not want my deep affection for the play to be diminished. Instead, my feelings for the play are enhanced. This ...