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    REVIEWS

    JUMP RHYTHM JAZZ

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    Each summer Anne Rosen (Lisa Robins), proprietor of a struggling mountainside hotel, hosts an invited group of writers, musicians, and other artiste types, who mingle with the idle-rich clientele, arguing politics and sipping screwdrivers. Focal character

    Presented by Neversink River Productions at The Hayworth, 2509 Wilshire Blvd., L.A. Thu.-Sat. 8 p.m. (Also Sun. 7 p.m. Mar. 18. Dark Thu. 8 p.m. Mar. 17.) Mar. 9-Apr. 14. (800) 838-3006. www.thehayworth.com.

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    Passing Strange

    Passing Strange, which opened Off-Broadway May 14, isn't in the running for a Tony Award, and for the favorites, this is good news.

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    Stage Spot

    During his seven years in L.A., Hunter Lee Hughes, originally from Houston, has racked up impressive credits in theatre and independent films. I have marveled at several of his stage performances: as a hardened young criminal in A Prayer for My Daughter at the ITA Workshop; as a tragicomic ...

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    Critic's Picks

    SOUTHERN CALIFORNIA

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    Don Juan

    Presented by Theatre for a New Audience, casting by Deborah Brown, at the Lucille Lortel Theatre, 121 Christopher St., NYC, March 23-April 13.

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    Critic's Picks

    • Accomplice, presented by and at the Colony Theatre, 555 N. Third St., Burbank. Fri.-Sat. 8 p.m., Sun. 2 & 7 p.m. (Also Sat. 3 p.m., Feb. 19 & 26, and Thu. 8 p.m., Mar. 3 & 10). Through Mar. 13. $26-36. (818) 558-7000.

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    COMPANY

    On the heels of the Reprise! staging of Stephen Sondheim's landmark 1970 musical, another company presents its take on the classic, to less fortuitous effect. Size indeed matters in the Performance Riverside staging, as the intimate dramatic episodes in librettist George Furth's seriocomic view of urban loneliness get ...

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    All Is Almost Still

    Presented by One Little Goat Theatre Company at the 78th Street Theatre Lab, 236 W. 78 St., NYC, May 19-30.

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    RED HOT & COLE

    This peculiar concoction is either an overlong revue, a half-baked book musical, or a superficial composer salute. Any way you slice it, it's a tiresome three-hour sit. Despite the lumbering text by James Bianchi, Muriel McAuley, and Randy Strawderman, which cries out for ruthless trimming, there are strong points ...