This staging of Maxwell Anderson’s rarely produced 1933 drama concerning a House Appropriations Committee tug-of-war is an engaging ensemble piece with startling parallels to 2012 politics. Especially recommended for Civics class geeks.
With “Eterniday,” at La MaMa, author Charles Mee continues his collaboration with experimental dance-theater group Witness Relocation, in a raucously fun collage about connection.
Publicist Ron Lasko, who has handled press for Fringe NYC for all 17 years, reminds audiences that Fringe is a microcosm of an entire theatrical season—and actors that interesting angles are hard to come by.
'A Night With Janis Joplin' Star Mary Bridget Davies spoke about how her past has prepared her for this role, maintaining her voice, making her Broadway debut, and more.
British playwright Nick Payne’s riveting drama “If There Is I Haven’t Found It Yet,” Off-Broadway from Roundabout, features a terrific Jake Gyllenhaal in his American stage debut.
La Mirada's Producing Artistic Director Brian Kite shares insight into the theater's casting process and what he's looking for in actors.
Atlantic Theater Company founding member Mary McCann shares how hard work and determination have supported her life in the theater.
Amber Iman, who is making her Broadway debut as Nina Simone in "Soul Doctor," chats about the importance of breaking from the mold, researching the role, and enjoying the ride.
Tony Award winner Tyne Daly and producers Jamie deRoy and Ted Snowdon will be honored at Primary Stages' annual gala.
In Colm Tóibín’s 90-minute monologue “The Testament of Mary,” Fiona Shaw plays a very human Virgin Mary, but director Deborah Warner’s calculated symbolic clutter swamps the text.