This staging of Maxwell Anderson’s rarely produced 1933 drama concerning a House Appropriations Committee tug-of-war is an engaging ensemble piece with startling parallels to 2012 politics. Especially recommended for Civics class geeks.
Amber Iman, who is making her Broadway debut as Nina Simone in "Soul Doctor," chats about the importance of breaking from the mold, researching the role, and enjoying the ride.
Tony Award winner Tyne Daly and producers Jamie deRoy and Ted Snowdon will be honored at Primary Stages' annual gala.
Atlantic Theater Company founding member Mary McCann shares how hard work and determination have supported her life in the theater.
“Spring Awakening,” Steven Sater and Duncan Sheik’s 2006 Tony-winning musical based on Frank Wedekind’s 1891 drama, gets a heartbreakingly honest production from La Mirada Theatre.
In Colm Tóibín’s 90-minute monologue “The Testament of Mary,” Fiona Shaw plays a very human Virgin Mary, but director Deborah Warner’s calculated symbolic clutter swamps the text.
I couldn’t have offered anyone a project worth believing in – or characters worth caring about – had I not written something unique to my own fixations.
The Inland Valley Repertory Theatre in Claremont, Calif. is seeking to talent for its production of “Gypsy.”
After 20 years, the Theatre Alliance calls it quits and spreads out its programs to the Walnut Street and Wilma theaters.
“Disgraced,” Ayad Akhtar’s trenchant and treacherous new play, part of Lincoln Center Theater’s LCT3 project, effectively engages uncomfortable issues of race, culture, and religion.