Gian Carlo Menotti’s highly accessible chamber opera “The Medium” is a spooky treat in Donna Drake’s imaginative production with drag artist Jeffery Roberson (aka Varla Jean Merman).
What happens for actors when they transfer with a show to or from Broadway? Could there be salary raises or cuts? Could they be replaced by a “star”? Are they considered differently during awards season? The answer is yes.
Noah Haidle’s “Smokefall,” at South Coast Repertory in a co-production with Chicago’s Goodman Theatre, is a loosely sketched comment on the randomness of an unforgiving universe.
“The Real (Desperate) Housewives of Columbia County Musical,” a musical satire from Taconic Stage Company on Bravo’s popular reality shows, is a fun, fizzy, and fast cocktail.
The New York Philharmonic’s staged concert of Richard Rodgers and Oscar Hammerstein II’s “Carousel,” starring Nathan Gunn, Stephanie Blythe, and Kelli O’Hara, values music over drama.
Thanks to a new agreement, students of the Theatre Program at Columbia University’s School of the Arts and the Classic Stage Company (CSC) will be eligible to join Equity.
"Southern Discomfort" evolved out of my desire to explore a humorous, tragic, and honest vision of the South I grew up in and the fascinating people who inhabit it.
New musicals "Kinky Boots" and "Matilda" the musical are neck and neck with Tony Award nominations with 13 and 12 nods respectively.
Author-actor Holland Taylor has found the role of her career in “Ann,” a solo show about former Texas governor Ann Richards, on Broadway at the Vivian Beaumont Theater.
We spoke with Christian Camargo, known to many for his roles on “Dexter” and in the “Twilight’ films, about tackling Shakespeare, perfecting his craft, and staying in the moment.