As Judy Garland in Peter Quilter’s “End of the Rainbow,” at the Ahmanson Theatre, Tracie Bennett eerily recalls the pain of the diva’s last days but misses her admirable qualities.
Peters and director Jerry Mitchell will be honored for their achievements and contributions to the theater community at the 79th Annual Drama League Awards ceremony in May.
Encores! concert version of “It’s a Bird… It’s a Plane… It’s Superman,” featuring an irresistible Strouse and Adams score, is one of the company’s most entertaining shows to date.
Broadway up-and-comers Jay Armstrong Johnson (“Hands on a Hardbody”), Valisia LeKae (“Motown: the Musical”), Matthew James Thomas (“Pippin”), and Betsy Wolfe (“The Last Five Years”) share their stories.
Under director Sean Mathias’ eye playwright Richard Greenberg has adapted Truman Capote’s “Breakfast at Tiffany’s” for Broadway with remarkable fidelity—and that’s the problem.
For anyone old enough to remember the Queen, Pasadena Playhouse’s “One Night With Janis Joplin” will make the past 40-plus years melt like a grilled cheese sandwich in a microwave.
The West Coast branch of the famed “way station for people with big dreams” opened its doors Feb. 26. Ryan O’Connor, its artistic director, resigned effective March 12.
In “For Love,” at the Irish Repertory Theatre, actor-playwright Laoisa Sexton chronicles the messy romantic lives of three Dublin women with raunchy wit and quirky details.
The company's new digital resource will assist theater companies and schools in selecting their next production.
Hosted by actor French Stewart, the 44th annual Los Angeles Drama Critics Circle handed out awards to the best of L.A. theater, lavishing love on a revival of "Waiting for Godot" and "War Horse."