Ralph Peña’s evocative 1996 assimilation drama “Flipzoids,” from the Latino Theater Company and PAE Live!, is beautifully performed in a gorgeous but somewhat splintered production.
Benjamin Walker shares how he landed the role of Brick in "Cat on a Hot Tin Roof" and whether the pressure of doing the play is intimidating.
Donald Margulies’ heartwarming and hilarious “Coney Island Christmas,” at Geffen Playhouse, could help heal a troubled world with a dollop of truth and a sleigh load of humor.
Founder and executive director Huttler explains how Fractured Atlas helps cut through all of the “unsexy stuff” that making art requires.
Cake is winning again with his critically-lauded portrayal of Benedick in the Bard's famous battle of wits "Much Ado About Nothing" at Theatre For a New Audience.
In “Ingenious Nature,” at SoHo Playhouse, theatrical MC Baba Brinkman takes a too-scientific look at sex and love, and the result comes across as entirely bitter and one-sided.
In the assured hands of director Paul Plunkett and a deft ensemble headed by Ruth Silveira’s soused theatrical doyenne, “The Coarse Acting Show” at Sacred Fools is a riotous satiric romp.
Though this biographical collage about Lorraine Hansberry is historically interesting, “To Be Young, Gifted and Black,” from Actors Co-op, only comes alive during play excerpts.
Fault Line Theatre’s “From White Plains,” playwright-director Michael Perlman’s new drama about high school bullying, written in collaboration with its cast, poses tough questions.
“Old Hats,” an uproarious comic revue at Signature Theatre, stars the superheroes of clowning, Bill Irwin and David Shiner, aided by the enchanting singer-songwriter Nellie McKay.