With Cate Blanchett praising Australian theater during her Oscars acceptance speech, the timing couldn’t be better for Australian Theatre Company to set up shop in Los Angeles.
For anyone old enough to remember the Queen, Pasadena Playhouse’s “One Night With Janis Joplin” will make the past 40-plus years melt like a grilled cheese sandwich in a microwave.
Due to ongoing construction at the Actors’ Equity building in New York, sign-up lines for Equity principal auditions move inside the Times Square Visitor Center for the winter months.
“Pippin,” “The Glass Menagerie,” “Love’s Labour’s Lost,” “Mr. Burns, A Post-Electric Play,” and “Bad Jews” have the best ensembles of the year.
“JonBenet Ramsey: Murder Mystery Theater!!!,” a Frigid Festival musical parody of the murder case of the toddler beauty queen, balances between wicked satire and sick humor.
It wasn’t so long ago that Taylor Trensch and Jason Hite were in high school, and now, they’re getting the chance to revisit those difficult years in the rock musical "Bare."
New musicals "Kinky Boots" and "Matilda" the musical are neck and neck with Tony Award nominations with 13 and 12 nods respectively.
Sara Fousekis, the USC School of Dramatic Arts’ new director of development, shares her secrets of successful fundraising.
Nalaga’at Theater’s sublime “Not by Bread Alone,” performed by deaf-blind actors, reveals the power of theater to enrich our understanding of humans as innately social beings.
The vice president and director of operations at Samuel French discusses the importance of publishing theater, what makes a great play, and how actors have more of a knack for playwriting than they might think.