Due to ongoing construction at the Actors’ Equity building in New York, sign-up lines for Equity principal auditions move inside the Times Square Visitor Center for the winter months.
The vice president and director of operations at Samuel French discusses the importance of publishing theater, what makes a great play, and how actors have more of a knack for playwriting than they might think.
“Tuck Everlasting,” “Aladdin,” “and “Jekyll & Hyde” are premiering out of town on their way to Broadway.
For anyone old enough to remember the Queen, Pasadena Playhouse’s “One Night With Janis Joplin” will make the past 40-plus years melt like a grilled cheese sandwich in a microwave.
Sara Fousekis, the USC School of Dramatic Arts’ new director of development, shares her secrets of successful fundraising.
The “Submissions Only” group launched a Kickstarter campaign to fund a third season in November and was able to raise $60,000, exceeding their fundraising goal by $10,000.
Theatrical press agent Emily Owens on staying on the same page, the importance of having the facts about your show straight, and why connections are important.
A stunningly versatile Alan Cumming leads us into dark corridors of the human mind in this near-solo staging of Shakespeare’s “Macbeth, from the National Theatre of Scotland.
With Cate Blanchett praising Australian theater during her Oscars acceptance speech, the timing couldn’t be better for Australian Theatre Company to set up shop in Los Angeles.
It wasn’t so long ago that Taylor Trensch and Jason Hite were in high school, and now, they’re getting the chance to revisit those difficult years in the rock musical "Bare."