Aléna Watters, a Broadway actor who is featured in Stephanie Riggs’ new documentary “The Standbys,” offers her advice for Broadway understudies.
Working in the theater means knowing Shakespeare. The free Shakespeare app for iOS devices gives you a complete reference guide to the Bard’s works.
Despite tour de force work from Gardner Reed and Edwin Cahill, P.H. Lin’s “Zelda at the Oasis,” a two-hander about F. Scott Fitzgerald’s bipolar wife, doesn’t jell or persuade.
A treasured Broadway tradition, the Gypsy Robe connects casts and ensembles offstage.
A romantic moment between two male leads and the addition of brief male nudity derail the L.A. Gay and Lesbian Center’s fall production of “Deathtrap,” after playwright Ira Levin's estate revokes the rights.
One of the creators of STOMP, Luke Cresswell, discusses how they keep the percussion show fresh for audiences after 20 years.
“Hot Mess in Manhattan,” a “Sex and the City”–inspired one-act musical by Cait and Meggie Doyle that’s part of the Araca Project, shows promise and has a sweet but cheeky spirit.
Writer-performer Steven Strafford’s “Methtacular!” breaks no new ground in the genre of drug-addiction narratives but still feels fresh and funny, thanks to his charming presence and musical comedy style.
Benjamin Walker shares how he landed the role of Brick in "Cat on a Hot Tin Roof" and whether the pressure of doing the play is intimidating.
Freddy Rodriguez talks about returning to the stage in David Mamet's "American Buffalo" and offers strategies for maintaining a long acting career.