Sara Fousekis, the USC School of Dramatic Arts’ new director of development, shares her secrets of successful fundraising.
A stunningly versatile Alan Cumming leads us into dark corridors of the human mind in this near-solo staging of Shakespeare’s “Macbeth, from the National Theatre of Scotland.
The vice president and director of operations at Samuel French discusses the importance of publishing theater, what makes a great play, and how actors have more of a knack for playwriting than they might think.
With Cate Blanchett praising Australian theater during her Oscars acceptance speech, the timing couldn’t be better for Australian Theatre Company to set up shop in Los Angeles.
The “Submissions Only” group launched a Kickstarter campaign to fund a third season in November and was able to raise $60,000, exceeding their fundraising goal by $10,000.
Due to ongoing construction at the Actors’ Equity building in New York, sign-up lines for Equity principal auditions move inside the Times Square Visitor Center for the winter months.
“Pippin,” “The Glass Menagerie,” “Love’s Labour’s Lost,” “Mr. Burns, A Post-Electric Play,” and “Bad Jews” have the best ensembles of the year.
Rebecca Lenkiewicz’s brilliant translation of Henrik Ibsen’s “An Enemy of the People” receives an expert production directed by Doug Hughes, with an astounding ensemble led by Boyd Gaines and Richard Thomas.
“JonBenet Ramsey: Murder Mystery Theater!!!,” a Frigid Festival musical parody of the murder case of the toddler beauty queen, balances between wicked satire and sick humor.
It wasn’t so long ago that Taylor Trensch and Jason Hite were in high school, and now, they’re getting the chance to revisit those difficult years in the rock musical "Bare."