Playwrights across the world are encouraged to submit their work to the second annual festival, be it play, musical, or puppetry
Casting director David Caparelliotis on casting for Broadway and Off-Broadway and finding rappers for a new musical about Tupac Shakur.
Based on the 2005 film, “Kinky Boots”—songs by Cyndi Lauper, book by Harvey Fierstein, direction and choreography by Jerry Mitchell, and starring a powerhouse Billy Porter—works.
After 20 years, the Theatre Alliance calls it quits and spreads out its programs to the Walnut Street and Wilma theaters.
Belarus Free Theatre paints a devastating portrait of a city scarred by a totalitarian regime in “Minsk, 2011: A Reply to Kathy Acker,” an electrifying Under the Radar entry.
Michael Rabe’s “The Future Is Not What It Was,” the inaugural production of the Kindling Theater Company, is a veritable soup of a play with intriguing hints of promise.
Jeanette Driver’s breakout turn brings emotional force to the L.A. debut of “Nora,” Ingmar Bergman’s searing reduction of Ibsen’s “A Doll’s House,” at Pacific Resident Theatre.
John Stamos, currently appearing in "Gore Vidal's The Best Man" on Broadway, chatted with Backstage about playing the bad guy, working with James Earl Jones, and his future in musical theater.
Inside Broadway, a leading arts education not-for-profit, is partnering with the Broadway revival of “Annie” to offer two free “Creating the Magic” events to local children.
Sony Pictures inks a new deal to bring its movies, like "Tootsie," to the stage. Can the film industry giant match its own critical and commercial success on Broadway?