Steve Yockey’s “Wolves,” at Celebration Theatre, promises thrills and chills and lots of blood but leaves you wondering in more ways than one who is going to clean up the mess.
“The Real (Desperate) Housewives of Columbia County Musical,” a musical satire from Taconic Stage Company on Bravo’s popular reality shows, is a fun, fizzy, and fast cocktail.
With Jordan Dean’s Skipper excised from “Cat on a Hot Tin Roof,” starring Scarlett Johansson, Backstage digs into the contractual ramifications of that choice for the actor.
Bruce Graham’s “The Outgoing Tide” is a poignant family drama, given an estimable if imperfect production with Michael Learned and Peter Strauss as a long-married couple facing Alzheimer’s.
Andrew Osborne’s hapless new comedy “No Love,” at the Eclectic Company Theatre, lacks reason, a point, and performances and production values that might mitigate its inadequacies.
At Soho Rep, Jackie Sibblies Drury’s “We Are Proud to Present a Presentation…,” about Germany’s virtual extermination of the Herero people of Namibia, is pulse-pounding theater.
Signature’s elegant revival of David Henry Hwang’s 1981 “The Dance and the Railroad,” which mixes Chinese opera with building America’s transcontinental railroad, is memorable.
Tracee Chimo talks about working in downtown theater, the pressure to move to Los Angeles, and believing in yourself no matter what.
Ben Hill founded the Hollywood Fringe Festival (and designed the website), which runs June 5–30 (including previews) at venues around Hollywood.
Rob McClure showcases some of his new talents - tightrope walking, violin playing, rollerskating - that he learned for the role.