One of the creators of STOMP, Luke Cresswell, discusses how they keep the percussion show fresh for audiences after 20 years.
The weak gimmick of following an upright piano’s “life” can’t kill “I Love a Piano,” the all–Irving Berlin revue getting a slick and entertaining staging from 3-D Theatricals.
Just four years after the last revival of “Cat on a Hot Tin Roof,” Scarlett Johansson will tackle the iconic play—proving once again power of casting movie stars on Broadway.
New musicals "Kinky Boots" and "Matilda" the musical are neck and neck with Tony Award nominations with 13 and 12 nods respectively.
Ike Holter’s “Hit the Wall” attempts to dramatize the Stonewall Riots but is done in by its cavalier lack of historical accuracy, stereotyped characters, and emotional histrionics.
The hit Off-Broadway parody “Silence! The Musical” gets a take-no-prisoners L.A. premiere at the Hayworth Theatre, with Davis Gaines and Christine Lakin in the leading roles.
Nalaga’at Theater’s sublime “Not by Bread Alone,” performed by deaf-blind actors, reveals the power of theater to enrich our understanding of humans as innately social beings.
Open Fist Theatre Company pairs two Horton Foote one-acts to create “Foote Notes,” and these intimate, flavorful works get a powerful, on-target staging from director Scott Paulin.
The Eugene O’Neill Theater Center, launching pad of everything and everyone from "Avenue Q" to Meryl Streep, celebrated its 50th anniversary with a gala event July 11.
Betsy Wolfe discusses how she's learned to trust her instincts in Roundabout Theatre Company's revival of "The Mystery of Edwin Drood."