Playwrights across the world are encouraged to submit their work to the second annual festival, be it play, musical, or puppetry
Stephen Adly Guirgis’ ruthlessly funny “The Motherf**ker With the Hat,” about love, fidelity, and substance abuse, gets an expertly acted staging from South Coast Repertory.
Diane Paulus, the artistic director of the American Repertory Theater and director of the Broadway revival of “Pippin,” shares what she looks for in actors.
Steve Yockey’s “Wolves,” at Celebration Theatre, promises thrills and chills and lots of blood but leaves you wondering in more ways than one who is going to clean up the mess.
“Old Hats,” an uproarious comic revue at Signature Theatre, stars the superheroes of clowning, Bill Irwin and David Shiner, aided by the enchanting singer-songwriter Nellie McKay.
A romantic moment between two male leads and the addition of brief male nudity derail the L.A. Gay and Lesbian Center’s fall production of “Deathtrap,” after playwright Ira Levin's estate revokes the rights.
Tarrell Alvin McCraney’s “In the Red and Brown Water” get its L.A. premiere courtesy of Fountain Theatre in director Shirley Jo Finney’s fluid, highly charged production.
The star of Broadway's "Venus in Fur" and the new film "Hysteria" shares his worst audition experience and why a film career caught him by surprise.
Mint Theater Company’s captivating revival of Allan Monkhouse’s slyly subversive 1911 drawing-room comedy, “Mary Broome,” ranks right up there with the troupe’s best offerings.
Artistic Director Christopher Ashley will host a public forum to discuss the casting process for its new musical.