theater

Katie Finneran on Training With Uta Hagen

Katie Finneran, who stars as Miss Hannigan in the Broadway revival of "Annie," shares what she learned from acting legend Uta Hagen.

The Why Overhead

Adam Szymkowicz’s busy new comedy “The Why Overhead,” from Zootopia Theatre Co., employs a dozen fine actors to portray the lives, loves, and terrors at a customer call center.

The Full Monty

Third Street Theatre’s intimate production of David Yazbek and Terrence McNally’s 2000 Broadway musical “The Full Monty” is charmingly determined though slightly off-kilter.

August Wilson’s ‘The Piano Lesson’ Remains a Masterpiece in Revival

Signature Theatre’s revival of August Wilson’s masterpiece succeeds as a probing play about a family, a ghost story, and an exorcism of the American soul.

Techniques to Help Physical Performance

How to get out of the head and into the body.

'The Rock of Abandon' Is the First Ancient Greek Noir

Athenian dramatist Euripides turns amateur sleuth in “The Rock of Abandon,” Stephen Blackburn’s erudite mash-up of ancient Greek history and film noir from Fierce Backbone.

Non-Equity: The Musical!

“Non-Equity: The Musical!,” at the Fringe, while more than a bit rough around the edges, is a fairly enjoyable 100 minutes, thanks to its breezy humor and gamely enthusiastic cast.

'Annie' Star Anthony Warlow on Acting Instinct and His Broadway Debut

Anthony Warlow has played billionaire Oliver Warbucks Down Under before, but he sees this production as an opportunity to put a different stamp on the role.

Auditions, Zoe’s Auditions Part 2

Playwright-actor Suzanna Geraghty’s one-woman show “Auditions, Zoe’s Auditions Part 2,” at the Drilling Company Theater as part of the 1st Irish Festival, amusingly conveys the desperation of an aspiring actor.

‘Son of a Gun’ Aims but Never Fires

“Son of a Gun,” Firebone Theatre’s melodramatic musical about a son and his father, boasts mellifluous melodies by Don Chaffer but his book and lyrics come across as contrived.