Betsy Wolfe discusses how she's learned to trust her instincts in Roundabout Theatre Company's revival of "The Mystery of Edwin Drood."
Ben Hill founded the Hollywood Fringe Festival (and designed the website), which runs June 5–30 (including previews) at venues around Hollywood.
Encores! concert version of “It’s a Bird… It’s a Plane… It’s Superman,” featuring an irresistible Strouse and Adams score, is one of the company’s most entertaining shows to date.
Ike Holter’s “Hit the Wall” attempts to dramatize the Stonewall Riots but is done in by its cavalier lack of historical accuracy, stereotyped characters, and emotional histrionics.
Lindsay Joy Murphy’s well-acted “Rise and Fall of a Teenage Cyberqueen,” from LabRats Theater Company, has an unclear point of view about the Internet’s effect on family life.
The Tony winner, who also had famous roles on TV's "Who's the Boss?" and "One Life to Live," shared with Backstage her secrets to maintaining a long and successful career. Light will be back on Broadway this spring in "The Assembled Parties," which starts performances March 21.
An American version of an English panto, “A Snow White Christmas,” starring Ariana Grande at Pasadena Playhouse, offers sparkling music while appealing both to kids and adults.
Artistic Director Christopher Ashley will host a public forum to discuss the casting process for its new musical.
“Hot Mess in Manhattan,” a “Sex and the City”–inspired one-act musical by Cait and Meggie Doyle that’s part of the Araca Project, shows promise and has a sweet but cheeky spirit.
Fault Line Theatre’s “From White Plains,” playwright-director Michael Perlman’s new drama about high school bullying, written in collaboration with its cast, poses tough questions.