“Hot Mess in Manhattan,” a “Sex and the City”–inspired one-act musical by Cait and Meggie Doyle that’s part of the Araca Project, shows promise and has a sweet but cheeky spirit.
Fault Line Theatre’s “From White Plains,” playwright-director Michael Perlman’s new drama about high school bullying, written in collaboration with its cast, poses tough questions.
Starring Carolee Carmello, Gifford’s new musical, “Scandalous,” re-creates the life of legendary preacher Aimee Semple McPherson.
Josh Koenigsberg’s “The Mnemonist of Dutchess County,” from the Attic Theater Company, looks inside the mind of a savant but is cluttered with cheap gags and verbal clichés.
The star of Broadway's "Venus in Fur" and the new film "Hysteria" shares his worst audition experience and why a film career caught him by surprise.
Cake is winning again with his critically-lauded portrayal of Benedick in the Bard's famous battle of wits "Much Ado About Nothing" at Theatre For a New Audience.
Casting director David Caparelliotis on casting for Broadway and Off-Broadway and finding rappers for a new musical about Tupac Shakur.
“Tender Napalm,” English playwright Philip Ridley’s pretentious portrait of a troubled marriage, at 59E59 Theaters, submerges two terrific actors in a sea of overwrought verbiage.
Producers Kevin McCollum, Doug Morris, and Berry Gordy announced a new leg of their nationwide talent search Wednesday. The open call seeks African-American singers for the Broadway production of "Motown the Musical."
James DeVita’s one-man show “In Acting Shakespeare,” at the Pearl Theatre Company, which riffs on Ian McKellen’s more famous one, is a delightfully personal comedic concoction.