Stephen Adly Guirgis’ ruthlessly funny “The Motherf**ker With the Hat,” about love, fidelity, and substance abuse, gets an expertly acted staging from South Coast Repertory.
The star of Broadway's "Venus in Fur" and the new film "Hysteria" shares his worst audition experience and why a film career caught him by surprise.
“Totally Tubular Time Machine,” at Culture Club, is an interactive theatrical experience in a real nightclub that’s part musical revue, part homage to popular music, and all party.
Lloyd Suh’s charismatic “Jesus in India,” from Ma-Yi Theater Company, excels by presenting the teenage Jesus of Nazareth as an angsty adolescent punk rocker in first-century India.
Casting director David Caparelliotis on casting for Broadway and Off-Broadway and finding rappers for a new musical about Tupac Shakur.
Emmy-nominated actor John Stamos, who appeared along side James Earl Jones in "Gore Vidal's The Best Man," says Jones' performance in "Fences" gave him goose-bumps.
Three years after it closed in New York, the long-running Off-Broadway revue “Forbidden Broadway” is making a comeback. The newest edition, which parodies past and present Broadway musicals, opens Sept. 6 for a limited run.
Diane Paulus, the artistic director of the American Repertory Theater and director of the Broadway revival of “Pippin,” shares what she looks for in actors.
Charlotte Jones’ tricky 1997 two-character play, “Airswimming,” at the Irish Repertory Theatre, is a small but sparkling gem that gleams with charm, anger, comedy, and sadness.
Starring Carolee Carmello, Gifford’s new musical, “Scandalous,” re-creates the life of legendary preacher Aimee Semple McPherson.