Mint Theater Company’s captivating revival of Allan Monkhouse’s slyly subversive 1911 drawing-room comedy, “Mary Broome,” ranks right up there with the troupe’s best offerings.
Ashley Shamoon is just one of many actors who has been cast through Backstage!
Charlotte Jones’ tricky 1997 two-character play, “Airswimming,” at the Irish Repertory Theatre, is a small but sparkling gem that gleams with charm, anger, comedy, and sadness.
The New York Musical Theatre Festival announced the dates and requirements for two annual competitions for musical theater creators and performers.
Director at the Institute of Outdoor Theatre Michael C. Hardy talks about the benefits, challenges, and craft-strengthening aspects of working in the outdoors.
Sony Pictures inks a new deal to bring its movies, like "Tootsie," to the stage. Can the film industry giant match its own critical and commercial success on Broadway?
Clayton chatted with Backstage about working with Falco, discovering his acting passion, starting his own theater company and gaining professional status as an actor.
The richly luminous performance of Mariette Hartley as real-life violin virtuoso Erica Morini enriches the West Coast debut of Willy Holtzman’s “The Morini Strad.”
Roundabout Theatre Company’s “Cyrano de Bergerac” features a bracingly fresh title turn from Douglas Hodge in director Jamie Lloyd’s tart reconsideration of this romantic classic.
It’s hard to fathom how Manhattan Theatre Club allowed Liz Flahive’s undercooked comedy-drama “The Madrid,” starring Edie Falco, to get all the way to City Center’s downstairs stage.