Phil Coulter's 'The Songs I Love So Well' Is Full of Irish Charm
“The Songs I Love So Well,” at the Irish Repertory Theatre, offers acclaimed Irish entertainer Phil Coulter in a cozy, up-close-and-personal holiday show of sentiment and style.
theater
- Review
- Interview
'Annie' Star Anthony Warlow on Acting Instinct and His Broadway Debut
Anthony Warlow has played billionaire Oliver Warbucks Down Under before, but he sees this production as an opportunity to put a different stamp on the role.
- Review
Auditions, Zoe’s Auditions Part 2
Playwright-actor Suzanna Geraghty’s one-woman show “Auditions, Zoe’s Auditions Part 2,” at the Drilling Company Theater as part of the 1st Irish Festival, amusingly conveys the desperation of an aspiring actor.
- Review
Adam Szymkowicz’s busy new comedy “The Why Overhead,” from Zootopia Theatre Co., employs a dozen fine actors to portray the lives, loves, and terrors at a customer call center.
- Review
'Catching the Butcher' Is a Striking Piece of Work
At Long Beach Playhouse, Adam Seidel’s striking black comedy “Catching the Butcher,” about the inner life of a serial killer, is brilliant and funny but not frivolous.
- Review
Third Street Theatre’s intimate production of David Yazbek and Terrence McNally’s 2000 Broadway musical “The Full Monty” is charmingly determined though slightly off-kilter.
- Review
'The Great MacDaddy' Surveys a Century of Black Experience
The first revival in more than 30 years of Paul Carter Harrison’s “The Great MacDaddy” proves the musical’s relevance today, despite Alfred Preisser’s indulgent direction.
- News
The Humana Festival Trains the Next Generation of Working Actors
This year’s festival, which closed April 7, featured world premieres from playwrights Will Eno, Sarah Ruhl, Rinne Groff, Lucas Hnath, and Jeff Augustin, among others.
- Review
'On the Spectrum' Plants a Flag for Sensitivity and Hope
At the Fountain Theatre Virginia Newcomb and Dan Shaked sensitively portray two autistic people in Ken LaZebnik’s “On the Spectrum,” which owes a small debt to “The Miracle Worker.”
- Review
“Non-Equity: The Musical!,” at the Fringe, while more than a bit rough around the edges, is a fairly enjoyable 100 minutes, thanks to its breezy humor and gamely enthusiastic cast.
