George S. Kaufman and Moss Hart’s warhorse “You Can’t Take It With You” will likely never be put out to pasture, and the prolific Antaeus Company brings it to a full gallop.
Upcoming forum “Why Not Asian? Why Asian?” will discuss race politics as they relate to under-represented Asian-American actors in L.A. theater productions.
Casting director David Caparelliotis on casting for Broadway and Off-Broadway and finding rappers for a new musical about Tupac Shakur.
Ralph Peña’s evocative 1996 assimilation drama “Flipzoids,” from the Latino Theater Company and PAE Live!, is beautifully performed in a gorgeous but somewhat splintered production.
Thomas Bradshaw's adaptation of the Book of Job, at the Flea Theater, churns stomachs with its sex and violence. While he stays true enough to the original tale, he loses the faith and humanity behind the story with his attempts to shock.
Middle schoolers at Brooklyn academy use upcoming production to raise money for Hurricane Sandy relief.
Belarus Free Theatre paints a devastating portrait of a city scarred by a totalitarian regime in “Minsk, 2011: A Reply to Kathy Acker,” an electrifying Under the Radar entry.
The New York Musical Theatre Festival announced the dates and requirements for two annual competitions for musical theater creators and performers.
Anthony Warlow has played billionaire Oliver Warbucks Down Under before, but he sees this production as an opportunity to put a different stamp on the role.
Working in the theater means knowing Shakespeare. The free Shakespeare app for iOS devices gives you a complete reference guide to the Bard’s works.