Writer-performer Colman Domingo’s convoluted new play “Wild With Happy,” at the Public Theater, plays on stereotypes and has little if any coherent dramatic structure.
Director at the Institute of Outdoor Theatre Michael C. Hardy talks about the benefits, challenges, and craft-strengthening aspects of working in the outdoors.
The richly luminous performance of Mariette Hartley as real-life violin virtuoso Erica Morini enriches the West Coast debut of Willy Holtzman’s “The Morini Strad.”
Emmy-nominated actor John Stamos, who appeared along side James Earl Jones in "Gore Vidal's The Best Man," says Jones' performance in "Fences" gave him goose-bumps.
A romantic moment between two male leads and the addition of brief male nudity derail the L.A. Gay and Lesbian Center’s fall production of “Deathtrap,” after playwright Ira Levin's estate revokes the rights.
Charlotte Jones’ tricky 1997 two-character play, “Airswimming,” at the Irish Repertory Theatre, is a small but sparkling gem that gleams with charm, anger, comedy, and sadness.
Tarrell Alvin McCraney’s “In the Red and Brown Water” get its L.A. premiere courtesy of Fountain Theatre in director Shirley Jo Finney’s fluid, highly charged production.
Despite tour de force work from Gardner Reed and Edwin Cahill, P.H. Lin’s “Zelda at the Oasis,” a two-hander about F. Scott Fitzgerald’s bipolar wife, doesn’t jell or persuade.
Leigh chatted with us about the lessons she's learned, what it's like following Julie Andrews, and the things she will—and will not—miss.
Ashley Shamoon is just one of many actors who has been cast through Backstage!