The Production Company’s revival of Lanford Wilson’s seldom-performed 1982 drama “Angels Fall” is filled with exceptional, heartfelt performances under Alex Egan’s direction.
Tectonic Theater Company’s “The Laramie Project Cycle,” at BAM, pairs the original 2000 docudrama with its 2009 sequel, “The Laramie Project: Ten Years Later,” to stunning effect.
Style and substance converge in ways that are both viscerally compelling and intellectually gripping in Emmanuel Demarcy-Mota's robust staging of Eugene Ionesco's aburdist masterpiece.
Dion Millington provides a fresh take on Effie White, but director-choreographer Keith Lee Grant can’t do the same for Harlem Repertory Theatre’s production of “Dreamgirls.”
The 67th Annual Tony Awards will return to Radio City Music Hall. Nominees will be announced April 30.
Founder and executive director Huttler explains how Fractured Atlas helps cut through all of the “unsexy stuff” that making art requires.
James Lapine and Stephen Sondheim’s 1994 Tony Award–winning musical “Passion” suffers under John Doyle’s dry, overintellecutalized, slackly paced direction at Classic Stage Company.
Aléna Watters, a Broadway actor who is featured in Stephanie Riggs’ new documentary “The Standbys,” offers her advice for Broadway understudies.
The Fringe's "Gay Camp" is an entertaining if erratic romp that's distinguished by the comic agility of its three-person cast juggling multiple roles.
Though it’s atmospherically rich and solidly performed, Adam Rapp’s new play set in a war-ravaged New York ultimately sags under an excess of exposition.