The New Ohio Theatre, in collaboration with the IRT Theater, will launch the Archive Alliance Residency program on October 8.
A Noise Within’s hugely entertaining rendition of Thornton Wilder and Ken Ludwig’s version of George Farquhar’s 1707 comedy “The Beaux’ Stratagem” is an utterly charming evening.
John Stamos, currently appearing in "Gore Vidal's The Best Man" on Broadway, chatted with Backstage about playing the bad guy, working with James Earl Jones, and his future in musical theater.
Ralph Peña’s evocative 1996 assimilation drama “Flipzoids,” from the Latino Theater Company and PAE Live!, is beautifully performed in a gorgeous but somewhat splintered production.
Under director Sean Mathias’ eye playwright Richard Greenberg has adapted Truman Capote’s “Breakfast at Tiffany’s” for Broadway with remarkable fidelity—and that’s the problem.
Michael Rabe’s “The Future Is Not What It Was,” the inaugural production of the Kindling Theater Company, is a veritable soup of a play with intriguing hints of promise.
The songwriting team who are making a promising Broadway debut with “A Christmas Story” began as performance majors at the University of Michigan.
In “The Whale,” Samuel D. Hunter’s disturbing drama at Playwrights Horizons, Shuler Hensley does tour de force work as Charlie, a dying 600-pound literature professor making amends.
Working in the theater means knowing Shakespeare. The free Shakespeare app for iOS devices gives you a complete reference guide to the Bard’s works.
Jessica Johnson shares how actors can maximize their publicity in theater.