Working in the theater means knowing Shakespeare. The free Shakespeare app for iOS devices gives you a complete reference guide to the Bard’s works.
John Stamos, currently appearing in "Gore Vidal's The Best Man" on Broadway, chatted with Backstage about playing the bad guy, working with James Earl Jones, and his future in musical theater.
Ralph Peña’s evocative 1996 assimilation drama “Flipzoids,” from the Latino Theater Company and PAE Live!, is beautifully performed in a gorgeous but somewhat splintered production.
Belarus Free Theatre paints a devastating portrait of a city scarred by a totalitarian regime in “Minsk, 2011: A Reply to Kathy Acker,” an electrifying Under the Radar entry.
The songwriting team who are making a promising Broadway debut with “A Christmas Story” began as performance majors at the University of Michigan.
Benjamin Walker shares how he landed the role of Brick in "Cat on a Hot Tin Roof" and whether the pressure of doing the play is intimidating.
Under director Sean Mathias’ eye playwright Richard Greenberg has adapted Truman Capote’s “Breakfast at Tiffany’s” for Broadway with remarkable fidelity—and that’s the problem.
"Pippin" star Patina Miller is on the cover of Backstage this week! She chats about how she prepared to play the Leading Player - it involves the trapeze! - and why she feels lucky to be on Broadway.
Mario Correa's Fringe concoction "Tail! Spin!" arranges the comments of Larry Craig, Mark Foley, Mark Sanford, and Anthony Weiner for big if cynical laughs.
Buran Theatre’s splendid and trippy “Nightmares: a demonstration of the Sublime,” at the Brick, is an intriguing sensory echo chamber for freeform ideas about art and authorship.