“Other Desert Cities,” Jon Robin Baitz’s latest play, at Center Theatre Group, is comic and plenty political, if overwritten; a couple of key performers fail to hit the bull’s-eye.
Middle schoolers at Brooklyn academy use upcoming production to raise money for Hurricane Sandy relief.
Jessica Johnson shares how actors can maximize their publicity in theater.
Working in the theater means knowing Shakespeare. The free Shakespeare app for iOS devices gives you a complete reference guide to the Bard’s works.
The songwriting team who are making a promising Broadway debut with “A Christmas Story” began as performance majors at the University of Michigan.
Ralph Peña’s evocative 1996 assimilation drama “Flipzoids,” from the Latino Theater Company and PAE Live!, is beautifully performed in a gorgeous but somewhat splintered production.
Belarus Free Theatre paints a devastating portrait of a city scarred by a totalitarian regime in “Minsk, 2011: A Reply to Kathy Acker,” an electrifying Under the Radar entry.
Michael Rabe’s “The Future Is Not What It Was,” the inaugural production of the Kindling Theater Company, is a veritable soup of a play with intriguing hints of promise.
Director Dave Barton’s outstanding new adaptation of Thomas Middleton and William Rowleys’ 1622 tragedy “The Changeling,” at Long Beach Playhouse, proves accessible and timely.
Buran Theatre’s splendid and trippy “Nightmares: a demonstration of the Sublime,” at the Brick, is an intriguing sensory echo chamber for freeform ideas about art and authorship.