Artistic Director Christopher Ashley will host a public forum to discuss the casting process for its new musical.
Tectonic Theater Company’s “The Laramie Project Cycle,” at BAM, pairs the original 2000 docudrama with its 2009 sequel, “The Laramie Project: Ten Years Later,” to stunning effect.
Del Shores ("Sordid Lives") knew that he needed to make his play "Southern Baptist Sissies" into a film, and on a budget, he created something inventive—a film of the play.
Smith will present “Zero” on Feb. 6 and 7 and Lucy Thurber will present “The Locus” on Feb. 20 and 21. All readings will be held at the Bank Street Theater.
Jessica Johnson shares how actors can maximize their publicity in theater.
In “Tube,” from Incubator Arts Project, the Van Cougar ensemble brings charm and vulnerability to the Web generation’s favorite guilty pleasure, YouTube.
The man behind the new indie drama “Blue Caprice” and the Tony-winning revival of “The Gershwins’ Porgy and Bess” knows what actors want—a great story.
Steve Yockey’s “Wolves,” at Celebration Theatre, promises thrills and chills and lots of blood but leaves you wondering in more ways than one who is going to clean up the mess.
Comedian Desiree Burch’s powerful “Tar Baby” puts race at the center of a grotesque and fantastic sideshow that is much more than just a comic riff on the black experience.
“Pocahontas, and/or America,” at the Bushwick Starr, is a charming mess of a show that relies upon a homespun aesthetic to examine the role of Native Americans in popular culture.