"Pippin" star Patina Miller is on the cover of Backstage this week! She chats about how she prepared to play the Leading Player - it involves the trapeze! - and why she feels lucky to be on Broadway.
The songwriting team who are making a promising Broadway debut with “A Christmas Story” began as performance majors at the University of Michigan.
Director Dave Barton’s outstanding new adaptation of Thomas Middleton and William Rowleys’ 1622 tragedy “The Changeling,” at Long Beach Playhouse, proves accessible and timely.
Benjamin Walker shares how he landed the role of Brick in "Cat on a Hot Tin Roof" and whether the pressure of doing the play is intimidating.
Mario Correa's Fringe concoction "Tail! Spin!" arranges the comments of Larry Craig, Mark Foley, Mark Sanford, and Anthony Weiner for big if cynical laughs.
Buran Theatre’s splendid and trippy “Nightmares: a demonstration of the Sublime,” at the Brick, is an intriguing sensory echo chamber for freeform ideas about art and authorship.
The Fringe's "Gay Camp" is an entertaining if erratic romp that's distinguished by the comic agility of its three-person cast juggling multiple roles.
The Hollywood Fringe Festival, which last year generated some $389,000 for actors and producers, opened its registration window Monday.
Tectonic Theater Company’s “The Laramie Project Cycle,” at BAM, pairs the original 2000 docudrama with its 2009 sequel, “The Laramie Project: Ten Years Later,” to stunning effect.
Founder and executive director Huttler explains how Fractured Atlas helps cut through all of the “unsexy stuff” that making art requires.