"Pippin" star Patina Miller is on the cover of Backstage this week! She chats about how she prepared to play the Leading Player - it involves the trapeze! - and why she feels lucky to be on Broadway.
Tectonic Theater Company’s “The Laramie Project Cycle,” at BAM, pairs the original 2000 docudrama with its 2009 sequel, “The Laramie Project: Ten Years Later,” to stunning effect.
Dion Millington provides a fresh take on Effie White, but director-choreographer Keith Lee Grant can’t do the same for Harlem Repertory Theatre’s production of “Dreamgirls.”
The Hollywood Fringe Festival, which last year generated some $389,000 for actors and producers, opened its registration window Monday.
Benjamin Walker shares how he landed the role of Brick in "Cat on a Hot Tin Roof" and whether the pressure of doing the play is intimidating.
The Fringe's "Gay Camp" is an entertaining if erratic romp that's distinguished by the comic agility of its three-person cast juggling multiple roles.
ReGroup Theatre’s production of “Big Night,” Dawn Powell’s 1932 comedy, can be seen as either brave or foolhardy. The too-young performers seem mostly to be in over their heads.
Founder and executive director Huttler explains how Fractured Atlas helps cut through all of the “unsexy stuff” that making art requires.
In its West Coast debut at 24th Street Theatre, Mike Kenny’s diaphanous memory play “Walking the Tightrope” may be geared for young audiences, but it’s a special treat for all ages.
“Working,” a 1978 musical of Studs Terkel’s nonfiction book, conceived by Stephen Schwartz, has been extensively revised by director Gordon Greenberg for Prospect Theater Company.