Theatrical press agent Emily Owens on staying on the same page, the importance of having the facts about your show straight, and why connections are important.
Cusi Cram's new world premiere play, about the horrors of the atom bomb, benefits from a good performance by Aaron Roman Weiner but suffers mightily from misguided direction.
Gemignani is the first music director to receive the Hammerstein Award and has worked on 39 Broadway shows, including every one of Stephen Sondheim's musicals.
Reprise Theatre Company announced it has hired veteran executive Stephen Eich as consulting producer to help it restart production in the New Year.
“A Christmas Story: The Musical,” based on Jean Shepherd’s short stories and their classic 1983 film version, is a cynical attempt to make money that surprisingly also has a soul.
The Theatre Development Fund, best known for operating the TKTS Discount Booths, has developed an online theater dictionary that launched today.
Anthony Warlow has played billionaire Oliver Warbucks Down Under before, but he sees this production as an opportunity to put a different stamp on the role.
SDC completes board elections despite Hurricane Sandy disruption.
The richly luminous performance of Mariette Hartley as real-life violin virtuoso Erica Morini enriches the West Coast debut of Willy Holtzman’s “The Morini Strad.”
The world premiere of Carol Real’s “Doesn’t Anyone Know What a Pancreas Is?” is extremely funny and well cast, but seems more appropriate for a network sitcom than for the stage of EST/LA.