Center Theatre Group leads pack with 29 nods, followed by Celebration Theatre and Musical Theatre West with 16.
"Mad Men" star and Back Stage subscriber Rich Sommer explains how improv helped his career and admits he's "freaking out" about his upcoming Broadway debut.
A possible touring version of the Broadway musical resurrects safety questions.
"Independents," with a book by Marina Keegan, at the New York Fringe Festival, is a beautifully crafted musical about the doubts and fears of 20-somethings.
The man behind the new indie drama “Blue Caprice” and the Tony-winning revival of “The Gershwins’ Porgy and Bess” knows what actors want—a great story.
The documentary "Broadway Idiot" traces the journey of the musical "American Idiot" from conception to Broadway.
Bulgarian author Ivan Dimitrov’s debut play, “The Eyes of Others,” at the New Ohio Theatre, is a thin and derivative absurdist comedy that features some first-rate performances.
Austin Pendleton directs and performs in Mississippi Mud Productions’ account of Tennessee Williams’ “Suddenly Last Summer,” but the barebones presentation is an acting-class exercise.
Harry Gibson’s stage version of Irvine Welsh’s novel “Trainspotting” is not for the faint of heart, but Roger Mathey’s strong direction and solid performances deliver the goods.
In Mexican playwright Luis Enrique Gutiérrez Ortiz Monasterio’s “I Hate Fucking Mexicans,” at the Flea Theater, the piling on of political incorrectness becomes almost poetic.