Academy Award–nominated director Andrew Adamson (“Shrek”) on bringing Cirque du Soleil’s Vegas stage creations to big screens in his new 3D film “Cirque du Soleil: Worlds Away.”
In “Mulan the Musical,” the Red Poppy Ladies, an all-female Chinese percussion troupe, use dazzling drumming to tell the tale of a young woman who disguises herself as a soldier.
“There There,” Kristen Kosmas’ slow burn of a two-woman monologue, from the Chocolate Factory and Performance Space 122, finds new paths into Chekhov’s “Three Sisters.”
Samuel Beckett’s rarely performed radio play “All That Fall” becomes an overwhelming sensory experience in Pan Pan Theatre Company’s production for the BAM Next Wave Festival.
In “Where (we) Live,” at BAM, the performers of Sō Percussion meditate on the idea of home while inviting artisans from other disciplines to create in the space at each performance.
In “The Holiday Guys in Happy Merry Hanu-Mas,” at the York Theatre, Marc Kudisch and Jeffry Denman, the Bert and Ernie of musical theater, are serving up a pretty special gift.
It wasn’t so long ago that Taylor Trensch and Jason Hite were in high school, and now, they’re getting the chance to revisit those difficult years in the rock musical "Bare."
The Broadway Channel has secured a deal with RCN Cable New York to air programming on Channel 76 in Manhattan and New York.
The inaugural group of participants for The Writer’s Room includes Adam Bock and Justine Levine, Thomas Bradshaw, Samuel D. Hunter, and Sharyn Rothstein.
Lydia R. Diamond’s family drama is moving from stage to screen, with a screenplay adaptation written by the playwright.