This returning holiday musical retains some of the charms of the 2003 film, but lead actor Jordan Gelber is no match for Will Ferrell as Buddy the Elf.
The man behind the new indie drama “Blue Caprice” and the Tony-winning revival of “The Gershwins’ Porgy and Bess” knows what actors want—a great story.
Michael Kimmel discusses "The Last Goodbye," a musical adaptation of "Romeo and Juliet" with Jeff Buckley music, and how he collaborates with actors.
An unsettling take on an Iraq vet story, James McManus’ new drama “Blood Potato,” from Apothecary Theatre Company, powerfully explores the destruction that’s going on at home.
Tom Hanks was one of 12 performers celebrated the Music Box Theatre for enjoying their Broadway or Off-Broadway debuts this season.
In Doug Hughes’ tough-minded production for Roundabout starring Bobby Cannavale, “The Big Knife,” Clifford Odets’ gimlet-eyed look at selling out, wreaks harrowing emotional devastation.
Everybody say yeah! The Cyndi Lauper tuner “Kinky Boots” pulled what many saw as an upset over the West End hit “Matilda” for the best musical trophy at the 67th annual Tony Awards at Radio City Music Hall on Sunday night.
“Working,” a 1978 musical of Studs Terkel’s nonfiction book, conceived by Stephen Schwartz, has been extensively revised by director Gordon Greenberg for Prospect Theater Company.
Playwrights’ Arena gives the rarely performed “Euripides’ Helen” the Hollywood treatment, with Rachel Sorsa and Maxwell Caulfield as a Spartan Nick and Nora, at the Getty Villa.
The president of Jujamcyn Theaters was a guest on MSNBC's "Morning Joe" to talk about the growth of Broadway ticket sales and attendance this season.