Emmy-nominated actor John Stamos, who appeared along side James Earl Jones in "Gore Vidal's The Best Man," says Jones' performance in "Fences" gave him goose-bumps.
Richard Greenberg’s touching familial comedy-drama “The Assembled Parties,” from Manhattan Theatre Club, starring Judith Light and Jessica Hecht, is written with boundless affection.
Annie Q discusses her title role in David Henry Hwang's "Golden Child," onstage now at the Signature Theater.
Stefanie Zadravec takes a clear-eyed look at stark elemental matters in “Save Me,” a straightforward examination of a splintered family facing a sudden crisis, at the Barrow Group.
Kirsten Greenidge’s time-spanning “Luck of the Irish,” from LCT3/Lincoln Center Theater, is an astute play about race and class in 20th-century America with top-notch performances.
The production will chronicle the life of Brooklyn-born King, who worked her way into the record business as a teenager and would go on to write some of the most popular songs in rock ‘n’ roll history.
The LA Stage Alliance, a non-profit arts group, is close to fully funding a community center that includes storage space, a lounge with free coffee, and Wi-Fi.
Our intrepid dispatcher jumps from “Untitled Play About Brecht’s Girlfriends & Boyfriend and Wife” to “Mickey & Sage”
A new documentary about the legendary Stritch is currently conducting an online fundraising campaign for its final phase of production.
Dream Up is a festival dedicated exclusively to new works of a nontraditional bent. It eschews the well-made play, and hopes for pieces focused more on ideas, and that use “roads less traveled or undiscovered” to communicate those ideas.