NYC Performing Arts Spaces launched Aug. 27, allowing theater makers an easy way to search for available venues that suit their needs.
Actor Hamish Linklater shows considerable promise as a playwright with “The Vandal,” at the Flea Theater, even if his characters and dialogue outshine his story and structure.
Circle X Theatre Co’s. world-premiere musical “Bad Apples, which examines the Abu Ghraib torture scandal, has a memorable score and a fine cast but needs considerable editing.
In “Sideways The Play,” at Ruskin Group Theatre, swilling with overgrown boys in wine country is enjoyable, but we’re left without a satisfying finish.
Lee Pace, who is starring in "Golden Age" Off-Broadway, says Joe Mantello gives a "master class" in acting in "The Normal Heart."
The president of Jujamcyn Theaters was a guest on MSNBC's "Morning Joe" to talk about the growth of Broadway ticket sales and attendance this season.
Interesting both as American and theater history and earnestly produced, this 80-year-old play becomes turgid over its 105 unrelieved minutes by repetition of its thesis.
David Henry Hwang’s 2011 play “Chinglish,” in a co-production by Berkeley Rep and South Coast Rep guided by original Broadway director Leigh Silverman, is a tragicomic masterpiece.
Katie Finneran, who stars as Miss Hannigan in the Broadway revival of "Annie," shares what she learned from acting legend Uta Hagen.
The Asian American Performers Action Coalition (AAPAC) recently released their annual “Ethnic Representation on New York City Stages” report, which found diversity lacking.