Everybody say yeah! The Cyndi Lauper tuner “Kinky Boots” pulled what many saw as an upset over the West End hit “Matilda” for the best musical trophy at the 67th annual Tony Awards at Radio City Music Hall on Sunday night.
The man behind the new indie drama “Blue Caprice” and the Tony-winning revival of “The Gershwins’ Porgy and Bess” knows what actors want—a great story.
Using flamingos in a Miami park to symbolize society’s malaise, Jorge Ignacio Cortiñas’ “Bird in the Hand,” from Fulcrum Theater, though idea heavy, is a witty, often moving show.
Playwrights’ Arena gives the rarely performed “Euripides’ Helen” the Hollywood treatment, with Rachel Sorsa and Maxwell Caulfield as a Spartan Nick and Nora, at the Getty Villa.
Tom Hanks was one of 12 performers celebrated the Music Box Theatre for enjoying their Broadway or Off-Broadway debuts this season.
“Years to the Day,” Allen Barton’s rant-filled bromance from Skylight Theatre Company at the Beverly Hills Playhouse, is talky, often static, and full of predictable moments.
The stars of "Bring It On" discuss making their Broadway debuts in the musical written by Jeff Whitty, Lin-Manuel Miranda, Tom Kitt, and Amanda Green.
Samuel D. Hunter’s acclaimed Off-Broadway drama “The Whale” receives a fine production at South Coast Rep, with Matthew Arkin doing tour de force work as its 600-pound protagonist.
“Working,” a 1978 musical of Studs Terkel’s nonfiction book, conceived by Stephen Schwartz, has been extensively revised by director Gordon Greenberg for Prospect Theater Company.
Jason Robert Brown has chosen to direct “The Last Five Years,” his 2002 two-person musical about a troubled first marriage, for Second Stage Theatre, and the result is enthralling.