The songwriting team who are making a promising Broadway debut with “A Christmas Story” began as performance majors at the University of Michigan.
Circle X Theatre Co’s. world-premiere musical “Bad Apples, which examines the Abu Ghraib torture scandal, has a memorable score and a fine cast but needs considerable editing.
Michelle Clunie, star of TV's "Queer as Folk" and "Make It or Break It," on the satisfaction of writing her own work, seeing actors bring her words to life on stage, and performing her own pieces. Clunie's new play, "Us," is now running in New York.
The Diane Paulus-directed revival earned 11 OCC nominations this morning, while “Kinky Boots” and “Chaplin” trailed with 9 and 8, respectively.
In its West Coast debut at 24th Street Theatre, Mike Kenny’s diaphanous memory play “Walking the Tightrope” may be geared for young audiences, but it’s a special treat for all ages.
Zombie Joe’s Underground’s avant-garde stage adaptation of Dostoevsky’s pioneering paean to human indulgence and perversity, “Notes From Underground,” works like gangbusters.
MFA thesis productions from Columbia University School of the Arts’ Theatre Program will be moving to new off-campus venues, including 3LD Art and Technology Center, the Connelly Theater, and La MaMato, to be closer to the heart of Off-Broadway.
Victor Garber will host and Nina Arianda, Cheyenne Jackson, and Cristin Milioti are among the presenters at the CSA’s 28th annual Artios Awards ceremony Oct. 29 in New York City.
Samuel Beckett’s rarely performed radio play “All That Fall” becomes an overwhelming sensory experience in Pan Pan Theatre Company’s production for the BAM Next Wave Festival.
Director Jo Bonney’s flawed revival of Lanford Wilson’s 1975 drama “The Mound Builders,” at Signature Theatre, fails to highlight the subtle exposition with sufficient clarity.