The author of Atlantic Theater Company’s “I’m Gonna Pray For You So Hard” shares her insights on the oh-so-difficult writing process.
Director Joy Zinoman and musical director William Anderson pair new musical pieces with three Samuel Beckett’s plays in the enlightening “Sounding Beckett,” from Cygnus Ensemble.
Varying skill levels among the actors create an erratic quality that mars this rare production of Corneille’s “Le Cid,” from Storm Theatre and Blackfriars Repertory Theatre.
Despite Judd Hirsch’s turn in the title role of Mark St. Germain’s “Freud’s Last Session,” getting its L.A. premiere at the Broad Stage, the hit Off-Broadway play feels locked down.
This has been a remarkable journey, which I hope is only the beginning as “Timmy The Great” has a wonderfully universal story. I am blessed with a wonderful cast, a wonderful show, and having a wonderful time.
Brian Bauman’s “A Crucible,” from Perfect Disgrace Theater, about what happens when a Catholic high school stages the Arthur Miller classic, wants to be edgy but is just dull.
LaGuardia High School's upcoming performance of "Sweet Charity" will rise to the next level thanks to a generous donation by SINGER.
Phillip Hall turns Mark Twain’s memoir “Life on the Mississippi” into an agreeable little musical at WorkShop Theater, featuring a strong all-male cast and an effective score.
Terrified of audience participation? The creator-director of “The Human Symphony” uses real-life audience members to perform real-life stories via headphones onstage.
“Women of Will,” at the Gym at Judson, playwright-actor Tina Packer’s enlightening and delightful survey of Shakespeare’s female characters, could nevertheless stand less lecturing.