Ari Graynor on Why She Loves the Theater, Even When It Scares Her
Returning to Broadway this fall in “The Performers,” Ari Graynor is consciously fighting her recent state of apprehension regarding stage work.
Ari Graynor on Why She Loves the Theater, Even When It Scares Her
Returning to Broadway this fall in “The Performers,” Ari Graynor is consciously fighting her recent state of apprehension regarding stage work.
Students Invited to Apply for Jerry Herman Awards
The Pantages Theatre and Nederlander Organization are inviting local high schools to participate in an actors' showcase that will see the best male and female performers take home $1,000 plus an all-expenses-paid trip to New York.
The New Musical 'The Island of No Tomorrows' Fails to Cohere
“The Island of No Tomorrows,” a new musical from Interart Theatre and MultiStages, begins with an intriguing premise but soon becomes disjointed, confusing, and exhausting.
Matthew Broderick and Kelli O'Hara Celebrate Gershwins and Prohibition
Broderick and O'Hara create a new classic in "Nice Work If You Can Get It," directed by Kathleen Marshall.
Andy Bloch’s “The Bellflower Sessions,” at the Whitefire Theatre, gives us a taste of some funny stuff and a few standout performances but is ultimately too hard to swallow.
Theater Companies Bring Literature to the Stage in a Fresh Way
The Elevator Repair Service’s adaptation of “The Great Gatsby,” the Transport Group’s adaptation of a Jonathan Franzen essay, and For/Word Company’s adaptation of Anne Morrow Lindbergh’s writings reinvent adaptation.
Karen Allen Is Back on the Boards in 'A Summer Day'
Norwegian playwright Jon Fosse’s “A Summer Day” is getting its American premiere from Rattlestick Playwrights Theater in a confident but unpersuasive production starring Karen Allen.
Winners for Ted Kennedy Prize Announced
Columbia University and Jean Kennedy Smith announced playwrights Dan O’Brien and Robert Schenkkan as the inaugural winners of the Edward M. Kennedy Prize for Drama Inspired by American History.
'Bears' Is Silly to the Point of Absurdity
Mark Rigney’s “Bears,” a nonsensical jumble of a play getting its New York premiere at 59E59 Theaters, follows the adventures of three grizzly bears in a post-apocalyptic world.
'On the Future' Is Lively, Inspired Frivolity From the N.Y. Neo-Futurists
“On the Future,” presented by the New York Neo-Futurists, adds up to some 80 minutes of lively, inspired frivolity—with serious underpinnings—riffing on the titular theme.