Employing Chinese brocades as puppets and featuring films of disappearing ink paintings, “Strange Tales of Liaozhai,” at Here, is visually exquisite but theatrically somnolent.
Brian Bauman’s “A Crucible,” from Perfect Disgrace Theater, about what happens when a Catholic high school stages the Arthur Miller classic, wants to be edgy but is just dull.
Playwright Caridad Svich and director José Zayas team up to adapt Gabriel García Márquez’s “Love in the Time of Cholera” for the stage, at Repertorio Español, with mixed results.
LaGuardia High School's upcoming performance of "Sweet Charity" will rise to the next level thanks to a generous donation by SINGER.
Katie Finneran, who stars as Miss Hannigan in the Broadway revival of "Annie," shares what she learned from acting legend Uta Hagen.
This has been a remarkable journey, which I hope is only the beginning as “Timmy The Great” has a wonderfully universal story. I am blessed with a wonderful cast, a wonderful show, and having a wonderful time.
Musicals Tonight!’s production of an old Cole Porter gem reveals a pristine score sadly saddled with a wordy, witless book. A game cast mines whatever humor can be extracted.
Tracy Letts, Amy Morton, Carrie Coon, and Madison Dirks star in Edward Albee's "Who's Afraid of Virginia Woolf?" on Broadway.
After a two-year hiatus Vampire Cowboys Theatre Company returns with “Geek!,” Crystal Skillman’s less-than-thrilling new play from Incubator Arts Project set at Dante’s Fire-Con.
Tom Hanks makes his Broadway debut in Nora Ephron’s “Lucky Guy,” a breezy but thin account of the life and career of columnist Mike McAlary, displaying potent theatrical technique.