Terrified of audience participation? The creator-director of “The Human Symphony” uses real-life audience members to perform real-life stories via headphones onstage.
Musicals Tonight!’s production of an old Cole Porter gem reveals a pristine score sadly saddled with a wordy, witless book. A game cast mines whatever humor can be extracted.
This has been a remarkable journey, which I hope is only the beginning as “Timmy The Great” has a wonderfully universal story. I am blessed with a wonderful cast, a wonderful show, and having a wonderful time.
Tracy Letts, Amy Morton, Carrie Coon, and Madison Dirks star in Edward Albee's "Who's Afraid of Virginia Woolf?" on Broadway.
After a two-year hiatus Vampire Cowboys Theatre Company returns with “Geek!,” Crystal Skillman’s less-than-thrilling new play from Incubator Arts Project set at Dante’s Fire-Con.
Tom Hanks makes his Broadway debut in Nora Ephron’s “Lucky Guy,” a breezy but thin account of the life and career of columnist Mike McAlary, displaying potent theatrical technique.
“Invisible Man” cast member McKinley Belcher III discusses the value of readings.
Ransone discusses taking on the theater in "Small Engine Repair" at MCC Theater in New York.
This year’s festival, which closed April 7, featured world premieres from playwrights Will Eno, Sarah Ruhl, Rinne Groff, Lucas Hnath, and Jeff Augustin, among others.
"Danny Visconti Is Hill-bent: My Night With Hillary Clinton," a musical standup act in the Fringe Festival, is too self-consciously outrageous to succeed.