“Grimly Handsome,” writer-director Julia Jarcho’s elegant jumble of a play, from Incubator Arts Project, is not without its charms but fails to cohere, despite an exceptional cast.
Buran Theatre’s splendid and trippy “Nightmares: a demonstration of the Sublime,” at the Brick, is an intriguing sensory echo chamber for freeform ideas about art and authorship.
Broadway’s Spring 2013 season is looking to be a slate of revivals, star vehicles, and British imports.
The Tony-winning play will transfer to Off-Broadway's New World Stages this spring.
Inside Broadway, a leading arts education not-for-profit, is partnering with the Broadway revival of “Annie” to offer two free “Creating the Magic” events to local children.
As 2013 commences, Backstage continues its tradition of eschewing a list of the top 10 shows of the past year in favor of a salute to actors. Not the “best,” not the “most,” not ranked in any order—simply performances so outstanding that Backstage’s reviewers wish to salute them.
James DeVita went from working on fishing boats to becoming an actor and director of classical theater to starring in his one-man show "In Acting Shakespeare."
“Flipside: The Patti Page Story,” Greg White’s well-produced portrait of the 1950s singer, with input from Page herself, succeeds musically but falls a bit short as biography.
Academy Award–nominated director Andrew Adamson (“Shrek”) on bringing Cirque du Soleil’s Vegas stage creations to big screens in his new 3D film “Cirque du Soleil: Worlds Away.”
In “Mulan the Musical,” the Red Poppy Ladies, an all-female Chinese percussion troupe, use dazzling drumming to tell the tale of a young woman who disguises herself as a soldier.