VS. Theatre Company takes over the former site of the Black Dahlia Theatre.
Victor Garber will host and Nina Arianda, Cheyenne Jackson, and Cristin Milioti are among the presenters at the CSA’s 28th annual Artios Awards ceremony Oct. 29 in New York City.
David Ives’ “All in the Timing,” consisting of six one-acts on the nature of time and language, are as sharp and funny as ever in this 20th-anniversary revival from Primary Stages.
The New York Musical Theatre Festival announced the dates and requirements for two annual competitions for musical theater creators and performers.
New York’s Rattlestick Playwrights Theater is readying its first Los Angeles production, and if the “experiment” pays off, it could lead to a permanent West Coast home.
The songwriting team who are making a promising Broadway debut with “A Christmas Story” began as performance majors at the University of Michigan.
"Danny Visconti Is Hill-bent: My Night With Hillary Clinton," a musical standup act in the Fringe Festival, is too self-consciously outrageous to succeed.
Pulitzer Prize finalist Rajiv Joseph’s heated two-hander “The North Pool” explores our preconceptions of others in the Vineyard’s well-acted, generally well-paced production.
Michelle Clunie, star of TV's "Queer as Folk" and "Make It or Break It," on the satisfaction of writing her own work, seeing actors bring her words to life on stage, and performing her own pieces. Clunie's new play, "Us," is now running in New York.
Charles A. Duncombe’s “Caged,” at City Garage, is full of sharp, funny, and touching observations about the human species but is more a fascinating study than a compelling drama.